The ending might have worked going to grandma’s house once upon a time, but it doesn’t work in 2015.
Perverse. Completely perverse. And completely seductive. Do I love it, or is it evil? Is it a wrong thing if it’s both?
The Gift takes the disgusting trope of hurting a woman to make a man feel something to a vile new low… one that reveals its ignorance about women.
I’m inviting female filmmakers to share their projects with my readers… [This post is not behind the paywall.]
I am looking at you, Game of Thrones. (But not you alone.)
Why is the U.S. marketing for Survivor pretending that Milla Jovovich is not the protagonist of the film?
How giving a familiar romance a genre spin makes it much, much worse than it would have been without it.
The answer is ridiculously obvious, in fact…
Girls and women love movies just as much as boys and men do. But it’s a love that gets thrown back in our faces by 95 percent of films.
Update! The just-wrapped London Film Festival has inspired me to expand my list.
I’m mystified that some people are upset by how Snowpiercer ends. Because anything else than what we get would be a tragedy on every level.
Um, why are you asking me? I’m not a cosplayer. You should be asking cosplayers. But since you insist, I’ll make a few guesses…
It’s pretty goddamn clear that the “magic bullet” is this: Hire more women.