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Chained (review)

Chained green light Eamon Farren

I’m “biast” (pro): nothing

I’m “biast” (con): nothing

(what is this about? see my critic’s minifesto)


Are serial killers people too? Of course they are — severely damaged people, yes, but human beings nevertheless. Yet cinema’s obsession with serial killers rarely transcends casting them as monsters for heroes to defeat. They are the looming specters of the near-mythic Hannibal Lecter and the cheap, interchangeable bogeymen of countless slasher flicks. Bob, the murderous sexual predator of Jennifer Lynch’s unnerving Chained, is something we’ve not seen before, and he is an uncomfortable challenge to us, and to all similar movies that have come before.

Is writer-director Lynch daring us to sympathize with Bob? Not that we are meant to forgive him his horrendous crimes, not at all… but it’s undeniable that we are intended to gain a commiserative appreciation of what turns a horrifically abused boy into a man who loathes women — and his own sexuality — so much that his only method of interacting with them is through violence. There is nothing exploitive or lascivious in Lynch’s depiction’s of Bob’s rapes and murders, which occur mostly offscreen, unlike in some other films of the genre, in which the viewer is invited to share in the killer’s perverse enjoyment of the terror of women. Far blunter and far more emotionally provocative is the sad horror with which she shows us what Bob suffered as a child, and adult Bob today revealing how it haunts and taunts him still. It’s all made even more disturbing and disorienting because Vincent D’Onofrio (Sinister, Brooklyn’s Finest) as Bob is ugly and dismaying, lurching through the film like a fairy-tale troll come to life, and yet every once in a while letting us peek at his wounds and scars… often via his “relationship” with “Rabbit,” his “protégé,” whom Bob “acquired” when he kidnapped the kid’s mother years earlier, and now treats, with equal measures of disdain and demented affection, as an adopted son.

If there is a “hero” here, it’s Rabbit (Evan Bird as a nine-year-old, Eamon Farren as a teen), who has no choice but to be Bob’s slave, cooking for him and cleaning up after his murders, yet who resists becoming active accomplices in them, exerting his own sense of what’s right and what’s proper even in the face of his own years-long abuse and neglect. And yet… will Rabbit ever be able to truly break the psychological chains Bob has shackled him to even if he can break the actual chains with which Bob keeps him prisoner? Or will he be trapped by the same cycles of violence and emotional oppression that chained Bob? Are these chains the monster, rather than the man, and can that monster ever be vanquished?

Not for the faint of heart or the weak of spirit, and probably not even for fans of more traditional horror films — which are very traditional indeed — this is a grenade lobbed into a genre that desperately needs its bones rattled.

UK
DVD/streaming

Amazon UK DVD
US/Canada release date: (direct to DVD) | UK release date: Feb 1 2013

Flick Filosopher Real Rating: rated GG (contains a genre grenade that may upset some fans)
MPAA: rated R for disturbing and sadistic violent content including bloody killings and rape, and for language and sexuality
BBFC: rated 18 (contains strong violence and sexual threat)

viewed at home on a small screen

IMDb
more reviews: Movie Review Query Engine | Rotten Tomatoes
  • RogerBW

    Good heavens. A horror film that might actually horrify.

  • http://www.flickfilosopher.com/ MaryAnn Johanson

    That’s a good way to put it. This one is shocking in ways that most horror movies don’t even attempt to be.

  • http://www.facebook.com/profile.php?id=783485122 Less Lee Moore

    Thanks for this excellent review. This movie deserved far more critical praise than it received.

  • Ide Cyan

    I was at the world premiere of this film when it screened at the Fantasia Film Festival last year. It’s disturbing, yep, and I wouldn’t really want to rewatch it, but the noise of the crowd getting up from their seats obscured the sounds that played during the closing credits, so I’m still not quite sure how it ended.

    Lynch had a funny anecdote about sponges being sent off-course by the wind during filming to lighten up the tension during the Q&A afterwards.

  • http://www.flickfilosopher.com/ MaryAnn Johanson

    It’s just the sounds of Rabbit moving around the house. We’re left wondering if Rabbit will take up Bob’s crimes, or if he’s just living in the house.

  • timmason

    Vincent d`onfrio is a marvelous actor from law and order to full metal jacket he captivates audiences with his portal of characters. In chained he completely captures the essence of a true sociopath. He does it well enough that he gives Jack Nicholsons character in the shining a run for his money.

  • karma714

    this was a waste of $1.99 from redbox… dull and had a terrible ending besides the “twist” that I called about halfway thru…

  • Zara Whitaker

    Unbelievable work man!! Keep your heads high you probably did it.bubblegum
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