In “The Collaboration: Hollywood’s Pact With Hitler,” Ben Urwand draws on a wealth of previously uncited documents to argue that Hollywood studios, in an effort to protect the German market for their movies, not only acquiesced to Nazi censorship but also actively and enthusiastically cooperated with that regime’s global propaganda effort.
In the 1930s “Hollywood is not just collaborating with Nazi Germany,” Mr. Urwand said by telephone from Cambridge, Mass., where he is currently at Harvard’s prestigious Society of Fellows. “It’s also collaborating with Adolf Hitler, the person and human being.”
Mr. Urwand, 35, offers the most stinging take by far, drawing on material from German and American archives to argue that the relationship between Hollywood and the Third Reich ran much deeper — and went on much longer — than any scholar has so far suggested.
On page after page, he shows studio bosses, many of them Jewish immigrants, cutting films scene by scene to suit Nazi officials; producing material that could be seamlessly repurposed in Nazi propaganda films; and, according to one document, helping to finance the manufacture of German armaments.