Could the protagonist have been female without significantly impacting the film as a whole? (for a film with a male protagonist) [why this matters]
Is there a female character with significant screen time who grows, changes, and/or learns something over the course of the story? (for an ensemble cast, or a film with a male protagonist) [why this matters]
FEMALE AGENCY/POWER/AUTHORITY SCORE:+5
Is there a female character (either a protagonist or a supporting character with significant screen time) in a position of authority (politics, law, medicine, etc.)? [why this matters]
THE MALE GAZE SCORE:0
Is there a female character who is primarily defined by her emotional or biological relationship with a child or children? [why this matters]
Is there anything either positive or negative in the film’s representation of women not already accounted for here? (points will vary)
IS THE FILM’S DIRECTOR FEMALE? No (does not impact scoring)
IS THE FILM’S SCREENWRITER FEMALE? No (does not impact scoring)
BOTTOM LINE: I wonder if it ever occurred to Richard Linklater to make a film called Girlhood, especially since it clearly did occur to him to cast his own daughter in a supporting role where he would capture her growing up across a dozen years. Still, his decision to turn Patricia Arquette’s mother character into such a dynamic depiction of a woman’s life — including her life beyond her motherhood — is fantastic, and saves the film with regards to its female representation.
NOTE: This is not a “review” of Boyhood! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.) Read my review of Boyhood.