Is there a female character with significant screen time who grows, changes, and/or learns something over the course of the story? (for an ensemble cast, or a film with a male protagonist) [why this matters]
FEMALE AGENCY/POWER/AUTHORITY SCORE:+5
Is there a female character (either a protagonist or a supporting character with significant screen time) in a position of authority (politics, law, medicine, etc.)? [why this matters]
THE MALE GAZE SCORE:0
Is there a female character whose primary goal is romantic (to get married, enter into a longterm relationship with a man, etc)? [why this matters]
Is there a female character who is primarily defined by her emotional or biological relationship with a child or children*? (*in this case an adult child) [why this matters]
Does a man police or attempt to police a woman’s sexual agency? [why this matters]
Is he rebuked for it, either directly (by a character onscreen) or indirectly (by how it is depicted)? [why this matters]
Is there anything either positive or negative in the film’s representation of women not already accounted for here? (points will vary)
The two major female characters are pretty fairy princesses who are obsessed with romance — though in different ways — and the entire plot revolves around who they might fall in love with. This is not a progressive depiction of women.
But much worse than having its female characters obsessed with romance is this: Both of the fairy princesses are conventionally beautiful, and they know it, yet both end up falling, happily, for “ugly” men. This is a trope we see repeated time and again, that men who are not conventionally attractive can expect beautiful women to fall in love with them, because women can and do learn to see past surface appearances. (This is the lesson that both women here learn: that looks don’t matter as much as personality.) We never see movies in which handsome men learn a lesson about seeing past a woman’s plainness to beauty within.
IS THE FILM’S DIRECTOR FEMALE? No (does not impact scoring)
IS THE FILM’S SCREENWRITER FEMALE? Yes, one of four credited (Irene Mecchi) (does not impact scoring)
BOTTOM LINE: This is a movie about beautiful fairy princesses obsessed with love and romance. At least they keep their clothes on.
NOTE: This is not a “review” of Strange Magic! It is simply an examination of how well or how poorly it represents women. (A movie that represents women well can still be a terrible film; a movie that represents women poorly can still be a great film.) Read my review of Strange Magic.