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The Lost City of Z movie review: archaeology was his religion

The Lost City of Z green light

MaryAnn’s quick take…
An adventure of the intellect and of the heart with the real-life explorer who inspired Indiana Jones, one more about the journey than the destination.tweet
I’m “biast” (pro): love a good adventure; love director James Gray
I’m “biast” (con): nothing
I have not read the source material
(what is this about? see my critic’s minifesto)

He was a real-life Indiana Jones. Literally: the Harrison Ford character was based on British explorer Percy Fawcett, one of the last of those intrepid men (always men, of course) to boldly venture into uncharted (by white people, that is) territory in search of knowledge, and to fill in the blank spaces on the maps. A cartographer and archaeologist, he was obsessed with the idea that remnants of a lost dead civilization were hidden in the Amazonian jungles, and he disappeared — along with his traveling companion, his 22-year-old son Jack — in those jungles in 1925 on what would be the last of many expeditions to prove his theory. What became of him remains a mystery, though supposition and rumors abound: he was killed by natives who didn’t like outsiders, he became a chief of a tribe that revered him as an exotic visitor, possibly he went through a wormhole and ended up in Atlantis.

“Start the plane, Jock!”

“Start the plane, Jock!”tweet

That last seems rather dubious; in fact, I invented it. But it seems odd that we haven’t been telling lots of wild stories about Fawcett in the century since he went missing. Why is he barely a blip on the pop-culture consciousness?tweet Why isn’t he as well known, at least by name, as Ernest Shackleton or Amelia Earhart? Fawcett was a friend of Arthur Conan Doyle and inspired the writer’s novel The Lost World; Fawcett’s adventures in the early 20th century captured the public imagination in Europe and the United States, who followed along via newspaper dispatches from the jungle. And somehow we’ve all but forgotten him. This is as mysterious as his disappearance.

The Lost City of Z is here to remedy that, though it’s not likely to have the impact of Raiders of the Lost Ark. This is not an action movie but an adventure of the intellect and of the heart, and it’s not so much about the science of mapmaking and the unraveling of forgotten history as it is about what drove the mapmaker and historian. Filmmaker James Gray — who based his script on journalist David Grann’s 2009 book about Fawcett — has moved far away from the New York City that has been the setting for all his previous films, including such marvels as Two Lovers and We Own the Night, but he retains his focus on character over plot, on cause over effect, on the journey rather than the destination. It’s this weighty centering of his storytelling that has given his films a genuine feel of freshness and discoverytweet even when they cover well-trod ground, and that gives them an import that makes them stand apart, and that’s true of Z too.

There are too few riveting moments when Charlie Hunnam really sells Fawcett’s passion.
tweet

It’s a teeny bit of a shame, then, that the weakest aspect of Z is Charlie Hunnam (Crimson Peak, Pacific Rim), who is a bit blah as Fawcett.tweet There are a few riveting moments when he sells Fawcett’s passion, as when he returns to London from a Royal Geographic Society mission to map the border between Bolivia and Brazil on fire with the conviction that the supposed “green desert” of Amazonia was once home to a grand civilization that long predates that of the British empire. The Society members are appalled that he considers the “savages” he met in the jungle to be equals of white men capable of such a culture, and in a speech to the Society he rages at their bigotry in a scene that actually made me whisper “wow” in the dark of the cinema at Hunnam’s fierceness. But moments like that are too few here. Often, Robert Pattinson (The Childhood of a Leader, Life) as Fawcett’s aide-de-camp Henry Costin creates a much stronger presence just sitting quietly in the background.

“The jungle is no place for your mother, son, but I’m cool with you getting lost and probably dying there.”

“The jungle is no place for your mother, son, but I’m cool with you getting lost and probably dying there.”tweet

I wish Hunnam could sell Fawcett’s passion as well to Sienna Miller (Live by Night, Burnt) as Fawcett’s wife, Nina, who keeps getting left behind to raise their children on her own when he goes off for years to South America. I wish Fawcett was forced to confront his own bigotry about Nina’s desire for travel and adventure: she would like to go with him, but he insists that the jungle is no place for a woman. The film notices that it’s not a place that all men can handle, either, but if Fawcett makes that connection, we never see it.

Gray does, at least, sympathize with Nina: as her husband heads off on what would be his final adventure, a tiny reverie sees her imagining herself walking into the jungle too. It’s tender moments of visual poetry like that that fuel The Lost City of Z’s undeniable powertweet: of the dangerous beauty of the Amazon, of the lure of the unknown, of the draw of new friendships, which Fawcett is constantly forging with those “savages.” Time is strange here, occasionally — years feel like days, sometimes — and yet Gray manages the extraordinary feat of making the exotic feel everyday. Perhaps that is the best tribute to Fawcett we could expect: if extraordinary new worlds and new peoples he encountered soon became familiar, so they should for us too. And they do.


green light 3.5 stars

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The Lost City of Z (2017) | directed by James Gray
US/Can release: Apr 14 2017
UK/Ire release: Mar 24 2017

MPAA: rated PG-13 for violence, disturbing images, brief strong language and some nudity
BBFC: rated 15 (brief strong violence, gory images)

viewed at a public multiplex screening

official site | IMDb | trailer
more reviews: Movie Review Query Engine | Rotten Tomatoes

If you’re tempted to post a comment that resembles anything on the film review comment bingo card, you might want to reconsider.

  • RogerBW

    The trailer made this look desperately heavy-handed – as if someone had found a rejected Indiana Jones script and tried to paint it with a dose of social consciousness because, after all, who wants to be Tarzan? Glad to hear that it’s rather better than that.

  • Tonio Kruger

    For a while, I thought this movie was going to be about Roy Chapman Andrews, aka the only real-life person who allegedly inspired the creation of Indiana Jones.

    https://en.wikipedia.org/wiki/Roy_Chapman_Andrews

    Then, of course there’s C.L. Moore’s fictional creation Northwest Smith…

    https://en.wikipedia.org/wiki/Northwest_Smith

  • Tonio Kruger

    Actually Tarzan used to be very popular back in the day and is alleged to be one of the best-known literary characters in the world.

    https://en.wikipedia.org/wiki/Tarzan#Literature

    He’s not as popular today as he used to — but he definitely had a big impact on our culture and it would be interesting to see how many of today’s popular characters are still popular a hundred years from now.

  • RogerBW

    I was thinking specifically of the recent The Legend of Tarzan, which even now has only brought in a worldwide gross of twice its production budget. Subtract 50% to 67% for the theatres, and it’s not a sign of wild enthusiasm among the audience.

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