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Blindness (review)

With films like City of God and The Constant Gardener, filmmaker Fernando Meirelles took the brutal and the base and flipped it around and threw it back to us swathed in a fierce, delicate beauty, as if to say: “Look at how the ugliness of humanity makes us special.” Which is a distressing thing to hear. He does it again with this unnerving trill on the classic sci-fi disaster movie: think an arthouse Day of the Triffids. One by one, everyone in an anonymous Everycity is going blind; fearing infection, government officials quarantine the first victims, which is where we linger with a group of equally anonymous everyfolk -- a doctor (Mark Ruffalo: Reservation Road), his wife (Julianne Moore: I’m Not There), and others -- as their microcosm of society collapses into savagery. Powerful enough would be watching the cracking of the eggshell-fragile connections between strangers -- and the forging of new ones -- but Meirelles also challenges what it means to “watch” a movie, when he puts us inside the terrifying experience of the newly blind. Some movies are hard to watch; this one, at times, is hard to listen to.

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[buy at Amazon (Region 1)]     [buy at Amazon (Region 2)]

viewed at a private screening with an audience of critics
rated R for violence including sexual assaults, language and sexuality/nudity
official site | IMDB | trailer
see everything else I've got on: Blindness
(links here are good for finding recent posts, but will not be fully functional till I finish tagging 11 years worth of reviews and blog entries; I'll post a notice when tagging is done)
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comments

Sounds interesting...haha

So, are you saying that a significant portion of the running time is a black screen? Does it gradually get blurrier (in the disease and/or the movie) before it fades out or is it one minute you're fine, the next minute there's nothing?

In a theater with a nice speaker setup, I can see how you could make a black screen terrifying, but without a deliberate effort to communicate proximity or motion beyond volume, it seems like a very crude imitation of blindness, especially without any way to convey the sense of touch.

Do you think the experience will be significantly worse (moreso than the average movie) if it's watched on a TV with a mediocre sound setup (i.e. mine)? It's one thing to sit in an utterly dark theater with sounds buzzing around and through your head, and quite another to sit in a cheery living room with a blank screen screeching at you from behind the coffee table.

@amanohyo

(Is this a spoiler? - I'm not sure)


If you watch it on a TV, you won't feel as immersed, which could be a good thing.

The film's running time does not contain a significant amount of "black screen", but there is an artfully portrayed, yet nonetheless soul-shatteringly horrifying segment that we are mercifully spared from experiencing visually.


Do you mean the question about how quickly the onset of blindness is? I haven't seen the movie or read anything other than some blurbs and this review, so I didn't mean to give out any spoilers.

I was just guessing that putting us "inside the experience of the newly blind" means that the screen goes black for a while. It must be during a murder and/or rape from the way everyone is describing it. Don't tell me though, that would definitely be a spoiler.

It can't be a black screen
s
p
o
i
l
e
r
in the book, it's strongly emphasised that this is a WHITE blindness. there is a point to that as the story progresses.
can't wait for this one, but it's been pushed back to April 2009 in Australia.

If that were true, wouldn't most people rapidly suffer from dementia (and horrible headaches) and die within a week? I don't think the human brain (espescially one accustomed to sight) is able to handle a constant visual signal at such a high level. I imagine it would be nearly impossible for them to fall asleep until their body eventually forced them to pass out for brief periods, which is extremely dangerous.

Maybe some kind of medication could suppress the vision center of their brain long enough for them to sleep a little? Well, now that you've got me curious, I'll go ahead and read the book. Hopefully it isn't completely depressing; I get enough of that from the news.

There is no black screen. There is no white screen. What there is is a lack of what we typically expect to see in a movie: characters looking at one another, connecting via their seeing of one another. That comes through in other ways -- touching, talking -- but it removes the typical way that audiences connect with characters too. Movies make us an unseen participant in those visual interactions, and this one finds other ways to create that intimacy.

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I'm MaryAnn Johanson: writer and ponderer in New York City who drinks too much wine and thinks way too much about such inconsequences as movies, TV, books, and the meaning of life.
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