question of the day: What is it with January and bad movies?

And so the traditional January onslaught of crap commences today, with the releases of Leap Year and Youth in Revolt. Next week’s The Spy Next Door ain’t gonna be pretty, either. Why does Hollywood hate us? If someone paid just slightly more attention to the people making movies, couldn’t we avoid creating really, really bad movies that need to be dumped somewhere in the first place? How can we discourage this terrible trend?

S.T. VanAirsdale in Esquire has an interesting suggestion -- he thinks we moviegoers should take January off:

What if we took January off at the movies the way studios and distributors seem to do, boycotting cinemas until they started spreading the wealth over the calendar a little more? There is no reason why fall needs to be such a glutted concentration of "good" films — or why summer should have a monopoly on crowd-pleasing blockbusters — while winter pukes a bellyful of undercooked tripe all over the multiplex. Even if (God forbid) there is an actual audience for The Spy Next Door, we should at least have some sort of alternative that day that doesn't look and feel (and most of all isn't sold) like Denzel Washington's post-apocalyptic folly. Is there a reason The Fantastic Mr. Fox or Bad Lieutenant: Port of Call New Orleans or even Avatar can't open on January 15? And don't say "Oscar qualification" either, because just as there's no law prohibiting decent movies in January, there's no excuse for critics and award committees to not take in the whole year of releases when sorting out their darlings each December. Who knows — A Serious Man might even have benefited more from being the first great film of 2010 as opposed to just another boutique dramedy sniffing out 2009 honors like a truffle pig.

He makes an excellent point about awards -- we critics are perfectly capable of recalling movies from earlier in the year, and with the rise of screeners, rumor has it that many Academy members never bother to see films in theaters at all: they just wait for their screener booty at year’s end.

What is it with January and bad movies?

(If you have a suggestion for a QOTD, feel free to email me. Responses to this QOTD sent by email will be ignored; please post your responses here.)

support


pre-Disqus comments

The Oscar voters may think they can remember good movies all year long, but when it's time to give out the awards, they pretty clearly don't remember anything before October. If you're like me, and you read way too much "entertainment news," then you can spend January through April each year reading about the highly acclaimed movies that got overlooked. Maybe this will be the year that Inglourious Basterds wins Best Picture, but I think it will be lucky to get a statue for Best Original Screenplay.

Well, a lot of TV shows start/come back from hiatus in January - maybe the TV and movie execs are working in tandem so there isn't too much competition. Weird and unlikely, yes, but stranger things have happened.

Well, a lot of TV shows start/come back from hiatus in January - maybe the TV and movie execs are working in tandem so there isn't too much competition. Weird and unlikely, yes, but stranger things have happened.

You know, that actually sounds plausible. September is also considered a "dumping ground" month and that's when a lot of tv shows have their season premieres.

What we have here is a conventional wisdom put together with a self-fulfilling prophecy.

Back in Ye Olden Dayes (i.e., 1930-1950), Hollywood studios saw a drop-off in movie attendance for the month of January. So they learned that that was the month in which to dump movies that they didn't have much hope for, commercially.

But there are vast differences between the market then and the market now. No one has had a huge blockbuster that opened in January, but back in the Ye Olden Dayes, the summer wasn't considered great movie-watching territory, either.

Have things changed enough so that some blockbuster might come out in January? No one knows, and the way the studios are managed, no one ever will.

At this point, the studios save up their absolute crap (or movies so different they don't know what to do with them, like Gilliam's work) to release in January.

And round and round and round she goes.

While I agree with you, MaryAnn, about studios spreading the wealth, I'm OKAY with January (and February) as dumping ground for meh/sucktastic films because unlike critics such as yourself, we normal folks don't get paid/have the time to watch ALL of the Oscar/prestige films that came out in November and December. I use January and February to catch up on most of them before the Oscars. It's a system that works just fine for me.

January is also the time when most of those prestige films goes wide (see Slumdog Millionaire last year). So with the crappy films, we see good quality films in theaters anyways.

we critics are perfectly capable of recalling movies from earlier in the year

I'm sure you are, but really, do you think most of the Academy voters have long enough memories or will go to the trouble? I don't see anyone talking now about the films you reviewed at the start of 2009. As long as one studio dumps all its Oscar-bait at the end of the year, the others have to follow.

I suspect that this practice will only change when someone has an accidental blockbuster with a January-released film.

The UK for some years had a system of vehicle numberplates such that the year of first registration was shown by a letter on the plate. This led to something like 1/3 of new car sales being in the month after the new letter became available. I fear that you may be seeing a similar effect in reverse.

Disqus comments

blog comments powered by Disqus

  
posted:
Fri Jan 08 10, 11:36AM

categories:
talk amongst yourselves




6 pre-Disqus comments
Disqus comments


tip jar





share


 
 


read more




related


· question of the day: Should we -- films critics and movie lovers alike -- include TV movies when we talk about the best movies of the year?
· question of the day: What movie are you most looking forward to in January?
· North American box office: ‘Avatar’ still shocking and aweing
· January 8: DVD alternatives to this weekend’s multiplex offerings
· my week at the movies: ‘The Spy Next Door,’ ‘Leap Year,’ ‘Daybreakers’
· question of the day: Which ‘Superbad’ guy has the best prospects for a long career?
· trailer break: ‘Jack Goes Boating’
· Youth in Revolt (review)
· caption this! image from ‘Youth in Revolt’
· my week at the movies: ‘Red Riding Trilogy,’ ‘Youth in Revolt’


bloggy


previous post:
Leap Year (review)

next post:
trailer break: ‘Tooth Fairy’

search




search FlickFilosopher.com


follow

  
  
  
(in case of site outages or other emergencies, I'll update my status on Twitter and Facebook)



Get our toolbar!

follow FlickFilosopher.com no matter where you are online


share and enjoy

shop to support

support FlickFilosopher.com when you click through here and buy almost anything at:

Amazon U.S.
Amazon Canada
Amazon U.K.
Amazon Germany
Amazon France
Amazon Spain
Amazon Italy
Chapters/Indigo (Canada)