calling bullshit on: Owen Gleiberman at EW’s The Movie Critics......for deciding that two female action stars constitutes a “new normal”: It’s amusing to realize, in hindsight, that Luc Besson’s funky-violent French art-house thriller La Femme Nikita, in 1990, and its rote American remake, Point of No Return, in 1993, were still treating lady-killer heroines with kid gloves. At that point, seeing an actress like Anne Parillaud or Bridget Fonda behave with a sniper’s cunning engaged the same exotic element of role-playing novelty that the band Heart did in the ’70s. Until Nancy Wilson, believe it or not, we hadn’t really ever seen a girl play an electric guitar before — it was a glass-ceiling-smashing, paradigm-busting cultural gear shift. And guess what? It’s still rare to see a girl play an electric guitar. Or even a woman. Sure, there are more women playing electric guitars today than there were in the 1970s, but it’s still not the norm. Nowhere near. And two kick-ass female action heroes in movies playing at the same time -- that would be Salt and The Girl with the Dragon Tattoo -- is not a “new normal”: it’s a coincidence. Gleiberman digs in deeper: Back in the ’90s, if an action role tailored to Tom Cruise had ended up going, instead, to a prominent actress, that tidbit of casting gossip would have been dropped into the media to legitimize the then fairly out-of-the-ordinary prospect of a chick heroine leaping off speeding trucks and using human beings for target practice. Now, it has a subtly different effect: Instead of calling attention to the novelty of it all, it reinforces the casual, no-sweat nature of the gender flip. Jolie as a CIA assassin who can fashion a rocket launcher out of the contents of a supply closet, who kick-boxes her way out of every jam, who walks on ledges like Spider-Woman, who mows down adversaries (Russians and Americans) with such heartless efficiency that she makes Jason Bourne look like a wuss…well, of course. As a thriller, Salt offers a cutting-edge example of how big-screen action heroines have edged their way past novelty, through legitimacy, and into inevitability. They’ve become the new normal. Except Evelyn Salt does not make Jason Bourne look like a wuss -- not in the least. And as Gleiberman seems to appreciate but buries, it most certainly still is one helluva novelty for a woman to step into a role written for a man. It was worth mentioning in connection with Salt precisely because it hardly ever happens. When half the action movies playing to mainstream audiences -- The Girl with the Dragon Tattoo has earned, over 19 weekends in North America, less than $10 million, and never played on more than 202 screens -- feature action heroes who could just as easily be played by men but are played by women, then we can talk about a “new normal.” But here are the top 20 movies so far of 2010, in order of box office performance: Toy Story 3 Not one of these movies features a female action hero anything like Jason Bourne or Evelyn Salt... and certainly none like Lisbeth Salander. Only three of the movies feature female protagonists at all... and in two, Alice and Eclipse, things happen to Alice and Bella but they are rarely the instigators of any action; in the other, SATC2, is about shopping, fucking, and being an obnoxious overprivileged brat as a veritable right -- and rite -- of modern womanhood. None of these is a positive depiction of strong, confident, complex women. More importantly, where women are shown to be at least somewhat strong -- physically as well as emotionally -- it is the very novelty of this that distinguishes these films. (I thinking of Scarlett Johansson in Iron Man 2 and Cate Blanchett in Robin Hood, and even the alt-Fiona in Shrek 4.) And these women are not the focus of the stories: they are there only for what they can do to bolster or thwart the male protagonist. Many of these movies feature no female characters of any dramatic significance at all. So no, Owen Gleiberman, there is no “new normal” when it comes to female action stars. We’re a long, long way from Angelina Jolie and Salt being anything other than a novelty. And if the Hollywood version of Girl with the Dragon Tattoo doesn’t water down Lisbeth Salander, I’ll be totally stunned. share
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Tue Jul 27 10, 3:41PM join the conversation: 3 pre-Disqus comments Disqus comments posted in: critic buzz by MaryAnn Johanson read more
Alice in Wonderland
Angelina Jolie Book of Eli calling bullshit Cate Blanchett Clash of the Titans Date Night Despicable Me Entertainment Weekly Girl with the Dragon Tattoo Grown Ups How to Train Your Dragon Inception Iron Man 2 Karate Kid Last Airbender Owen Gleiberman Percy Jackson and the Olympians The Lightning Thief Prince of Persia The Sands of Time Robin Hood Salt Scarlett Johansson Sex and the City 2 Shrek Forever After Shutter Island Toy Story 3 Twilight Saga Eclipse Valentine's Day related· Alliance of Women Film Journalists 2010 EDA Awards nominees · Online Film Critics Society 2010 Award nominees · calling bullshit on: ‘Toy Story 3’s miraculous seven-day U.K. “opening weekend” · more hope for a better Hollywood (from the U.K. box office) · Colin Firth and Natalie Portman are Oscar shoo-ins; everything else up for grabs: Oscar predictions · question of the day: Hardly anyone went to the movies over Memorial Day weekend: why not? · question of the day: What movie are you most looking forward to in May? · Razzie nominations are in! · question of the day: Is it really such a bad thing if an actor plays the same character -- or his/herself -- over and over again? · fair warning: ‘Expendables’ sequel all but inevitable bloggyprevious post: the oh-no! DVD of the week: ‘F.A.R.T. The Movie’ next post: quick list: five great spy movies |










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posted by MC (Tue Jul 27 10, 6:30PM)
While video games get a bad rap for their sexism, they do seem to be doing a much better job of promoting women to leading roles in action-based dramas... dramas which would easily pass the Bechdel test.
posted by Sok (Tue Jul 27 10, 10:53PM)
And, in the spirit of "movies that seem like video games," I present this (apparently with a female protagonist):
http://trailers.apple.com/movies/wb/suckerpunch/suckerpunch-tlr1_480p.mov
Not quite on the same level as River Song, but I may give it a look-see.
posted by RogerBW (Wed Jul 28 10, 7:56AM)
Joss Whedon has shown lazy film-makers an easy way to get "female empowerment" credentials: have a lightly-built woman beating up strong men, and who cares about the plausibility.
And the film-makers are too lazy even to do that.