cinematic roots of: ‘The Other Guys’
No movie springs from a vacuum. There are always influences from past examples of the genre, from the previous work of the filmmakers and stars, even from similar films that don’t quite work. If you want to understand where a movie is coming from, take a look at where it’s coming from. In The Other Guys, Will Ferrell and Mark Wahlberg are ordinary NYPD detectives trying to move out of the shadow of two superstar detectives, while also trying not to kill each other. This flick sprang from (among other films): • Step Brothers (2008), also from the team of writer-director Adam McKay and star Will Ferrell, which uses a similar sense of deadpan humor to tell the tale of the rivalry of adult stepbrothers (Ferrell and John C. Reilly). • The Departed (2006), the serious cop drama in which Mark Wahlberg plays the surprising comic relief. • Starsky & Hutch (2004), a reboot from TV and a buddy cop comedy gone wrong; Ben Stiller and Owen Wilson flounder through unfunny nostalgia as the titular cops. • 48 Hrs. (1982), one of the foundations of the genre and still one of the best buddy crime comedies, in which Eddie Murphy and Nick Nolte have two days to solve a murder. Where to buy: Disqus commentsblog comments powered by Disqus |
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Sun Aug 08 10, 11:58AM categories: dvd buzz movie buzz permalink 1 pre-Disqus comments Disqus comments tip jarshare
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Adam McKay
Ben Stiller cinematic roots Departed Eddie Murphy John C Reilly Mark Wahlberg Nick Nolte NYPD Other Guys Owen Wilson Starsky and Hutch Step Brothers Will Ferrell related· The Other Guys (review) · Cyrus (review) · January 22: DVD alternatives to this weekend’s multiplex offerings · watch it: “Prop 8 The Musical” · Step Brothers (review) · Starsky & Hutch (review) · June 5: DVD alternatives to this weekend’s multiplex offerings · dream cast: hypothetical ‘Three’s Company’ movie · question of the day: What aspects of widespread pop culture can help save the world? · wtf: ‘The Other Guys’ insults Wall Street, which is nothing but kind and noble and beneficient bloggyprevious post: ‘Inception’ attacks ‘X-Men: First Class’; pushing back against 3D; Lisbeth Salander does not eat pray love; more: leftover links next post: cinematic roots of: ‘Step Up 3D’ |










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posted by Victor Plenty (Mon Aug 09 10, 7:55PM)
Trouble with supercops overshadowing their more ordinary colleagues can also be viewed from the other side of the coin, in Hot Fuzz.