cinematic roots of: ‘The Switch’
No movie springs from a vacuum. There are always influences from past examples of the genre, from the previous work of the filmmakers and stars, even from similar films that don’t quite work. If you want to understand where a movie is coming from, take a look at where it’s coming from. In The Switch, Jennifer Aniston can’t believe she got Jason Bateman’s sperm in her baby, when someone else was supposed to be her artificial baby daddy. This flick sprang from (among other films): • Mamma Mia! (2008), in which Meryl Streep isn’t sure who the father of her about-to-be-married daughter is, so she invites all the likely suspects to the wedding, just for fun. • Look Who's Talking (1989), in which Kirstie Alley did not get pregnant by artificially insemination, she just tells everyone she was, because the truth is far more embarrassing. • Rumor Has It... (2005), for more of Jennifer Aniston in a tricky conception mess: she learns that she may be the product of a Graduate-style hookup. • Dear Frankie (2004), for more daddy confusion as single mom Emily Mortimer hires Gerard Butler to pretend to be her young son’s father, whom the boy has never met. Where to buy: Disqus commentsblog comments powered by Disqus |
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Mon Aug 23 10, 10:29PM categories: dvd buzz movie buzz permalink 1 pre-Disqus comments Disqus comments tip jarshare
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cinematic roots
Dear Frankie Emily Mortimer Gerard Butler Graduate Jason Bateman Jennifer Aniston Kirstie Alley Look Who's Talking Mamma Mia Meryl Streep Rumor Has It Switch related· ‘Doctor Who’ blogging: “Closing Time” · Kirstie Alley’s Scientology diet; the Tinseltown closet; Tina Fey, sex goddess: leftover links · August 21: DVD alternatives to this weekend’s multiplex offerings · U.K. box office: ‘Avatar’ now biggest U.K. movie ever · U.K. box office: Bond keeps slaying the competition · U.K. box office: James Bond still a killer · Harry Brown (review) · City Island (review) · trailer break: ‘City Island’ · a little bit of David Tennant: ‘Bright Young Things’ bloggyprevious post: female gazing at: Aidan Quinn next post: watch it: “We've Got To Stop The Mosque At Ground Zero” |










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posted by Tonio Kruger (Wed Aug 25 10, 12:32PM)
Of those four, Dear Frankie is the only one I'd recommend seeing and of course, it's the only one of the four not made in America. (That's not why I recommend it, though.)
When I first saw Dear Frankie a few years ago, I couldn't resist commenting on another forum about how unlikely it is that we would have seen the same film made in America--and thus far the American film industry has proved me right.