cinematic roots of: ‘Let Me In’
No movie springs from a vacuum. There are always influences from past examples of the genre, from the previous work of the filmmakers and stars, even from similar films that don’t quite work. If you want to understand where a movie is coming from, take a look at where it’s coming from. In Let Me In, a child vampire (Chloe Grace Moretz) befriends a child nonvampire (Kodi Smit-McPhee) and violence and bloodshed ensues. This flick sprang from (among other films): • Let the Right One In (2008), the Swedish-language original upon which this new film is based, though don’t expect as much Hollywood-style gore as the remake offers. • Interview with the Vampire (1994), featuring Kirsten Dunst as a doll-like child vampire with adult tastes. • Near Dark (1987), for more vampires in the American Southwest (Let Me In is set in New Mexico); Kathryn Bigelow puts a coven of bloodsuckers into the uniquely American roadside milieu. • The Lost Boys (1987), for funnier kid vampires in the goofy 80s classic, about teens who should be in hanging out and drinking beer instead of hanging out and drinking blood. Where to buy: Disqus commentsblog comments powered by Disqus |
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Mon Oct 04 10, 1:42AM categories: dvd buzz movie buzz permalink Disqus comments tip jarshare
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Chloe Grace Moretz
cinematic roots Interview with the Vampire Kathryn Bigelow Kirsten Dunst Kodi Smit-McPhee Let Me In Let the Right One In Lost Boys Near Dark related· November 20: DVD alternatives to this weekend’s multiplex offerings · October 23: DVD alternatives to this weekend’s multiplex offerings · Let Me In (review) · trailer break: ‘The Hurt Locker’ · Near Dark, Buffy the Vampire Slayer, Once Bitten, Blacula, Love at First Bite, and Jesus Christ: Vampire Hunter (review) · trailer break: ‘Let Me In’ · Alliance of Women Film Journalists 2010 EDA Awards nominees · what a day... · Hugo (review) · question of the day: If you were going to invent a new Oscar category à la the MTV Movie Awards, what would it be, and who or what would be the definitive example of a winner? bloggyprevious post: cinematic roots of: ‘Case 39’ next post: cinematic roots of: ‘The Social Network’ |









