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08.27.01: The readers of CINEMATIC MUSINGS have spoken. The results of the first Request a Review poll are in, and the winner is Mel Brooks' 1987 comedy SPACEBALLS. So here ya go.

I'll be attending The Millennium Philcon, this year's WorldCon, in Philadelphia over the long Labor Day weekend. Kinda the Super Bowl of science fiction, this is five days of books, movies, art, music, costumes, and parties with a geeky accent. I'm not involved in any of the programming, but I will be wandering around with a Flick Filosopher badge for easy identification. I don't bite -- unless you're male, very cute, and ask very nicely -- so please feel free to stop me and say hi. Or email me (I'll be checking email during the con) and let me know you're going to be there, and we'll make time for a drink or a meal.

Coming attractions: TNT's JAMES DEAN, Dean flicks in the AFI 100, new DVDs, and a slew of way- under- the- radar indies.


08.24.01: Here's another short-film competition for you aspiring filmmakers out there. Submit an animated short to the cable network Showtime's second annual Alternative Media Festival and you could win the top prize of $30,000 and development opportunity, or one of nine $10,000 category prizes. What makes this competition different from others is that it is limited to shorts created in Web apps like QuickTime, Flash, Shockwave, and other similar formats. Get all the details and submission info at alt.SHO.com.

Coming attractions: Finally gonna get to TNT's JAMES DEAN and two Dean flicks in the AFI 100; gonna look at some new DVDs; and will report on that stack of indie videos haunting me from the To Watch pile for the Flick Filosopher's Film Festival.


08.23.01: The Flick Filosopher gets a mostly nice mention in TIME magazine this week (the issue dated August 27, with the homeschooling story on the cover). The article isn't online, so I can't link to it, but they singled me out as a "notable" site for home-brew film reviews on the Net... yet they also suggested that I'm not as objective as I might be since I'm an aspiring screenwriter who may want to sell scripts to studios whose films I'm reviewing. So I knocked off this letter to TIME:

============================
Dear Editors:

While I of course appreciate the prominent mention of my Web site, The Flick Filosopher, in "Everyone's a Critic," in your issue of August 27, I am sorry that you chose to question my integrity as a film critic without even bothering to allow me the opportunity to respond to such a suggestion. (Contact info is clearly and prominently posted at my site; it would have been quite easy to get in touch with me. Instead, I learned I had been so accused from a friend who saw the article.)

One of the joys of producing a labor- of- love site like The Flick Filosopher is precisely that I do not have an editor or a publisher pressuring me because advertisers are pressuring them for a good review of any given film. The editoral freedom I have allows me to blast -- which I have to do with alarming frequency -- any and all films that deserve it. My site is not the media branch of the global conglomerate that also owns studios that release films desperate for rave reviews, as can be said for many "legitimate" press outlets that feature film reviews. In fact, I find it disingenuous that TIME can question the integrity and honesty of online film critics when so many "legitimate" outlets, as you note, provide rave reviews on demand for any film, worthy or not.

Yes, I write screenplays. Yes, I would love to see one or all of them produced someday. But lying to myself and my readers in order to ingratiate myself with the studios is not a price I'm willing to pay to make that happen.

Oh, and you failed to mention in "Everyone's a Critic" that Roger Ebert, who has won a Pultizer Prize for film criticism, had several screenplays produced early in his reviewing career.
============================

TIME may not run the letter, but at least I can set the record straight with you, my readers.

Coming attractions: TNT's JAMES DEAN, new DVDs, the Flick Filosopher's Film Festival, GHOSTS OF MARS, and BUBBLE BOY.


08.17.01: Got the urge to make a movie? Start off small -- 30-seconds small -- with one of those "no talking, no smoking" theater etiquette shorts and you could win the new Short Film, Big Screen Contest that ENTERTAINMENT WEEKLY and Loews Cineplex are sponsoring. The winning entry will premiere at the 5th Annual Shorts International Film Festival in New York City in November, and will be shown in Loews theaters across the U.S. If you're not a filmmaker and have no calling to start being one now, you can enter a related contest to win a year's pass to Loews theaters by voting online for your favorite short entered in the contest. Get all the details at the official contest site. And promise me that if you enter a short, you'll include the standard "All Talkers Will Be Summarily Shot" clause in your warnings to moviegoers. (Disclaimer: Calls for violence might disqualify your entry.)

The Flick Filosopher was the Cool Pick Site of the Day at CoolPick.com on July 16. I wish people would tell me these things -- I only learn about them when I ego-surf. (Added to my Awards page.)

Coming attractions: TNT's JAMES DEAN, new DVDs, the Flick Filosopher's Film Festival, THE CURSE OF THE JADE SCORPION, and JAY AND SILENT BOB STRIKE BACK.


08.09.01: I'm considering posting my award-winning screenplay, BRONX CHEER, and perhaps my new screenplay, tentatively titled CAT AND MOUSE, as a work in progress, here at the site, and giving password-restricted access to them as a bonus to subscribers of CINEMATIC MUSINGS. To help me decide whether I should do so or not, let me know if such a bonus would entice you to subscribe to CM (if you're not already a subscriber, that is). Thanks.

Coming attractions: New DVDs, the Flick Filosopher's Film Festival, TNT's JAMES DEAN, THE CURSE OF THE JADE SCORPION, and AMERICAN OUTLAWS.


08.03.01: Many, many thanks to those of you who have thrown some cash into my tip jar, or paid for a subscription to CINEMATIC MUSINGS or MOVIE-A-DAY BY EMAIL... and extra special thanks to those of you who've done all of the above! Keep it comin' -- let's prove all those Net naysayers wrong and show that it is possible for a site that isn't pushing porn or X-10 cameras to stay afloat.

Coming attractions: New DVDs, the Flick Filosopher's Film Festival, TNT's JAMES DEAN, THE DEEP END and THE OTHERS.


08.02.01: Check out my Articles page: I posted links to all the features I've written for Cinemarati, and now that I'm caught up on the backlog, I'll be adding new links regularly. Toward the end of August, watch for my Movies You Missed entry on MUMFORD; in September, I'll be picking essential SF TV series for the Necessities feature.

Coming attractions: New DVDs, the Flick Filosopher's Film Festival, some cable movies, RUSH HOUR 2, THE PRINCESS DIARIES, and GHOST WORLD.


07.27.01: I've reposted yet another old feature article of mine that was originally at the site of the Online Film Critics Society, and is no more. It's the debate between me and Michael Elliott, the Christian Critic, about how our religious beliefs, or lack thereof, inform our film criticism. Check it out here.

Coming attractions: New DVDs, the Flick Filosopher's Film Festival, some cable movies, RUSH HOUR 2, and APOCALYPSE NOW REDUX.


07.20.01: Now available in the Flick Filosopher's Cafe Press store: microfiber baseball caps (t-shirts and mugs are still up for grabs, too). Suitable for all occasions. Be the envy of your friends. Protect your delicate scalp from the harsh summer sun. Proceeds benefit a good cause: me.

I'm going to try to get myself back on a regular schedule of posting reader mail. (You should see the stuff that's piling up here.) So this coming Monday, I'll start what I hope will be weekly Monday postings of the previous week's mail. We'll see how long I can keep this up. Probably until Fox is back with new episodes of FUTURAMA, KING OF THE HILL, THE SIMPSONS, and THE X-FILES. Then it'll be back to the couch for me on Sunday nights.

Coming attractions: Odds 'n' ends, including new entries in the Flick Filosopher's Film Festival... and PLANET OF THE APES.


07.18.01: There isn't much meaty science fiction in JURASSIC PARK III -- just human meat -- but if you're looking for something a little thinkier in the SF department, check out my new article over at Cinemarati, called "It's All in Your Head: The 11 Best SF Films for the Thinking Fan." Those films'll keep your brain busy for a while.

Coming attractions: Various sundries, a bunch of little indies, and AMERICA'S SWEETHEARTS.


07.13.01: If you haven't subscribed to CINEMATIC MUSINGS, this is what you missed in the first issue: an editorial on movie stardom featuring the gal I love to hate, Julia Roberts; Overheard at the Multiplex, real quotes from real people; my Top 10 Sexiest Robots; the first of my reviews of the BMWfilm series starring Clive Owen; a recommended movie Web site; the first entry in my Nutball Hall of Fame; and more. One reader wrote: "LOVED the first edition of CM -- you are just too brilliant for words!" (Hey, I only report 'em.) Subscribers have access to back issues, so you can catch up on what you've missed if you join now. The next issue emails July 18.

Coming attractions: Various sundries, a bunch of little indies, TNT's THE MISTS OF AVALON, JURASSIC PARK III, and AMERICA'S SWEETHEARTS.


07.11.01: There is only one thing worse than being talked about, and that is not being talked about. Oscar Wilde said that, and he's right. Thankfully, The Flick Filosopher is being talked about. The site was mentioned in Lockergnome's Windows Daily email newsletter on Monday -- hello to all my new readers, and thanks for making my traffic counter go wild. Harley Carnes' Internet Minute radio featurette mentioned me back in April -- he said I have "a bit of a trash mouth." Isn't that sweet? And finally, Kim Wells raved about The Flick Filosopher in her Editor's Rant, at Women Writers: A Zine. Nice to know that people are noticing me.

Coming attractions: Various sundries, a bunch of little indies, LEGALLY BLONDE, MADE, and TNT's THE MISTS OF AVALON.


07.09.01: If you're a junkie for DVD extras, like I am, you should check out the new disc of THIRTEEN DAYS, which will be released tomorrow. Not only does it have lots of cool and interesting stuff on it (see the adendum to my original review of the film for more details), but the way the extras are presented is in a new format called Infinifilm, from New Line Home Entertainment. (Does it sound like I'm whoring for New Line? They sent me a DVD, sure, but it's not like babe Bruce Greenwood delivered it personally or anything. And I wouldn't be telling you about Infinifilm if I didn't genuinely think it was pretty neat. I mean, when I got the disc I sort of threw it in the huge pile of Stuff to Watch with a yawn, thinking How different could this Infinifilm thing be? And when I finally did watch the DVD, I couldn't believe how so simple a thing could be so cool, or change the way I watched a DVD so radically.) Remember the Follow the White Rabbit thing on THE MATRIX DVD, where you'd click on the bunny and be taken to some behind-the-scenes, making-of footage? Well, Infinifilm takes the idea a step -- and a quantum leap -- beyond that.

When you choose to watch the Infinifilm version of THIRTEEN DAYS (and you can still watch the regular, unenhanced version if you want, of course), every few minutes or so up pops a little menu along the bottom of the screen, like clickable subtitles, which take you to things like little interviews with historians who explain the political context of what's going on onscreen, or snippets of production information, or -- and this was my favorite use of the idea -- deleted scenes. And because the DVD extras are so integrated into the movie experience, you can watch the deleted scenes right where they would have been had they ended up in the final cut. (All the other extras fit in right where they should, too: When the Kennedy brothers make an offhand reference to Berlin, for instance, just as us political nincompoops are wondering why Berlin was so important during the Cold War, up pops an offer to have someone explain it to us.) You can access all the extras separately, as you would on a regular DVD, but Infinifilm makes watching a DVD more like surfing the Web, with hotlinks just where you need them. And if you're reading this, you probably like surfing the Web.

Chatting about cool DVD extras is bound to come up in CINEMATIC MUSINGS, which debuts in two days. FlickFilosopher.com reader Richard just subscribed, saying: "I'm looking forward to your newsletter, and at $20 you're still a pretty inexpensive source of entertainment..." I've got lots of fun stuff planned for Cinematic Musings, so entertainment is definitely in the offing. I hope you'll join Richard and subscribe now.

Coming attractions: Various sundries, a bunch of little indies, TNT's THE MISTS OF AVALON, and FINAL FANTASY.


07.05.01: This is too cool. Cable network AMC is holding an Internet/TV auction next Thursday, July 12, starting at 9pm Eastern, and you should see some of the stuff that's up for grabs: a laminated Waynestock backstage pass and Waynestock poster from WAYNE'S WORLD; promotional pink soap and Ed Norton's driver's license from FIGHT CLUB; Michael J. Fox's grey and white check shirt from BACK TO THE FUTURE; a limited-edition prop replica of a STAR WARS light saber; and classic cool stuff like Lee Marvin's leather coat from CAT BALLOU, Peter Seller's Inspector Clouseau detective hat from the PINK PANTHER films, Orson Welles' wool tailcoat from CITIZEN KANE, and Frank Sinatra's smoking suit from PAL JOEY. There's scripts, autographed posters, props, costumes, and more. If I had any money to blow I'd be there myself. You have to preregister at amctv.com in advance of the auction, but then you can bid right online while you watch the auction on TV. Best of all, a portion of the proceeds will benefit The Film Foundation, which raises awareness of the need for and funds film preservation.

Some people are getting Movie-a-day delivered right to their email inboxes. Are you one of them? You could be: find out how here.

Coming attractions: Various sundries, a bunch of little indies, and THE MISTS OF AVALON on TNT.


07.01.01: Somebody is reviewing movies at filmgeek.com again, but it ain't our old pal Rick Ferguson. Beware.

CINEMATIC MUSINGS, my new subscriber-only email newsletter thingie, launches on July 11. You wouldn't want to miss anything, would you? Then subscribe now.

Coming attractions: Various sundries, and CATS & DOGS.


06.28.01: Whaddaya know? My unconventional TOMB RAIDER review has stirred up quite a frenzy online. It got linked at geek-watercooler Slashdot, tons of people have been telling me they've been passing the URL around to all their buddies (and yes, I will post more reader mail soon), and people are generally having as much fun with the review as they didn't have at the movies. My review even inspired another online critic, Betty Jo Tucker of KOAA Online to break out the box and write something unusual herself. And I know this because she dedicated her review of DR. DOLITTLE 2 to me in thanks (the dedication is down at the bottom of the page). Wow.

Purely a coincidence, but A.I. inspired something along similarly geeky lines.

If you can't get enough of me (and you know who you are), then here's your chance to get some more. CINEMATIC MUSINGS is my new weekly email newsletter, featuring 100 percent exclusive content -- none of it will be repeated here at FlickFilosopher.com. It's a kind of stream- of- filmic- consciousness, surf- the- movie- Web- with- MaryAnn kinda thing, and the only way to get it is to subscribe... and then you'll get a little piece of me in your in-box every Wednesday. I'd like to debut CINEMATIC MUSINGS on July 11, but I'd also like to kick off with 500 subscribers. So sign up and spread the word. No, I will not be revealing my phone number nor will I be sharing photos of myself in the newsletter -- I'll only be baring my soul. (MOVIE-A-DAY.COM is now available via email, too. Info here.)

Coming attractions: Various sundries, CRAZY/BEAUTIFUL and CATS & DOGS.


06.24.01: My head, she gonna 'splode from everything I digested at the Netpreneur Conference last weekend, where I hung with some people who define Internet coolness, like Cathie Walker of The Centre for the Easily Amused, who is just about the spunkiest, bounciest person I've ever met; Chris Pirillo of Lockergnome, who is an almost frightening bundle of energy; and Randy Cassingham of ThisIsTrue.com, who put the whole shebang together. (All of them are doing extremely hoopy* things online, and you should go check out their stuff right now and tell them I sent you so they'll be nice to me at next year's conference.)

As a result of a weekend pretty much spent locked in a hotel meeting room, great things are afoot* at The Flick Filosopher, as you will see over the next few weeks and months. Everyone who has been asking for more, more, MORE of me will get your wish granted. Everyone who has been hoping to get some free (or nearly) tchotchkes from me will be personally held responsible for the shameful misuse of our precious natural resources the manufacture and distribution of such things will require.

Basically, The Flick Filosopher will be completing its conquest of the Internet in short order.

I must share the tale of my journey to the conference, only because it has a perfectly ironic and movie-related ending. I arrived at LaGuardia airport to discover that my flight was delayed for more than an hour because the airport had been closed to incoming flights earlier in the morning due to fog, and our plane was still on the ground in Washington, DC. Okay, fine -- no one controls the weather. But when I'd called United -- as the airlines always tell you to do -- before I left for the airport, I'd been told my flight was on time, even though the airport had (unbeknownst to me, of course) already been closed for several hours. So, United already knew my flight would be delayed, and lied to me about it.

The plane finally arrives from DC and we wait while they clean it and restock it and do everything they need to do when they turn a plane around. Presumably, they check to make sure that the tires aren't flat and that the wings are still attached. They let us board, at last... and when we are all ensconced in our impossibly tiny seats, the captain comes on the horn to tell us that some whatsit in one of the engines needs to be doodled with, and there will be a short delay while the engine is disassembled or something. Every 20 minutes or so, the captain comes back on to tell us, in so many words, that she has no idea what the mechanics are doing, but it should be another 20 minutes or so while we wait for our lemon-soaked napkins to be delivered.* At one point, as she's saying we're getting ready to leave, I can see out my window that there's still a guy up a ladder fiddling with the engine. They really must think their customers are idiots.

Two hours after we board, we finally push back from the gate. Two hours during which I am remembering that absurdly young woman who died after getting a blood clot in her leg from sitting too long on a flight, and meanwhile, here's all 5 feet, 11 inches of me trying to shift around in a seat designed for Gary Coleman.

So, why two hours, sitting on the plane, at the gate? As I see it, there are two explanations. Either the crew of one flight doesn't tell their relief that something is wrong with the plane -- which would be bad -- or they do communicate and the airline said, Fuck the passengers, get 'em on the plane, where they're less likely to be able to make a noisy stink while they wait for two hours. (Insert evil cackle here.)

Anyway, at the end of this, the inflight movie was ERIN BROCKOVICH. And you all know how I feel about Julia Roberts. (Worse, the movie on the return flight was PRETTY WOMAN. It was -- can you fucking believe this? -- Julia Roberts Month on United Airlines.)

Right: United Airlines. United sucks. More even than Julia Roberts.

(*Sorry: I've been rereading Douglas Adams since he thumbed the great cosmic ride, and I've reverted to 8th grade, dropping HHGTTG references left and right.)

Coming attractions: Yet more DVD reviews, weird indies, AFI 100 flicks, and a little movie called A.I.


06.15.01: Have you been checking out Cinemarati? Apart from my contributions to our Roundtable discussion forum, I've got a bunch of feature articles posted there (one of these days I'll get around to linking to them on my Articles page). I edit our News of the Week feature, which appears every Monday, in which member critics weigh in on a big entertainment news story of the previous week, like the infamous David Manning fracas. I've bestowed a couple of 15:01 Awards on celebrities we'd like to see end their reigns of fame, and coming up soon I'll be talking about one of my Guilty Pleasure movies and discussing some can't-miss science-fiction movies. Stay tuned...

Coming attractions: A grab-bag of AFI 100 flicks, DVD reviews, and more entries in The Flick Filosopher's Film Festival.


06.08.01: Annie in Cascade, Colorado, is our latest and final winner of a Flick Filosopher t-shirt and fridge magnet, in thanks for her being a member of my mailing list. I'm fresh out of the first batch of t-shirts (the ones I was giving away), which is why I signed up with Cafe Press for my new merchandise. There are four different t-shirts and two different coffee mugs available, and when you buy you support The Flick Filosopher. Cafe Press handles everything, from taking your order to shipping it out, so you can use credit cards (and I never see that information, by the way) and even return stuff if you don't like it. But I think you will -- I ordered myself a batch of my own goodies, and they look great and arrived really quickly.

So, no more mailing list giveaways. I hope you'll join the list anyway, if you're not already a member.

Coming attractions: AFI 100 flicks, TOMB RAIDER, and ATLANTIS.


06.06.01: Not only am I not reviewing THE ANIMAL or WHAT'S THE WORST THAT COULD HAPPEN?, I refuse to even see either film. And I think I'm a better, happier person for that. But I am pleased to give you, in the stead of a review of a piece of cinematic dreck, at long last, my Oscar review of GLADIATOR. (I know some of you think GLADIATOR is cinematic dreck, too, and to you I say simply: pfft, and I'm sending Russell to your house to kick your ass.)

Coming attractions: AFI 100 flicks, EVOLUTION, and SWORDFISH.


05.24.01/Part II: You may have noticed the links to Reel.com and Express.com disappearing from The Flick Filosopher. That's because Reel shut down their affiliate program without telling the loyal affiliates who have been sending traffic and business their way for years, and Express declared Chapter 11 bankruptcy in April, also without telling the loyal affiliates who have been sending traffic and business their way for years. I'm sure I'll never see a penny of what either company owe me, and now I have to spend the time to take down all those links lest I keep sending traffic their way for which I certainly will never be paid. (I could just leave the links up, but there's a principle involved here. Reel and Express damn well know that most of their affiliates probably won't bother to take down the links, leaving them with the benefit of having affiliates without having to pay them. *grrr*)

I'm extremely grateful to all of you who have sent donations to keep the Flick Filosopher solvent in this Internet downturn, but the number of contributors doesn't even come close to the number of movie fans who visit this site in a single hour. So drop a buck or two in the tip jar, to let me know that there are more than a handful of people out there who truly appreciate what I'm doing here.

05.24.01: Attention, space nerds (and I include myself in the appellation): All sorts of cool science stuff is coming to DVD. Like the IMAX movies THE DREAM IS ALIVE and BLUE PLANET, coming June 12, and the documentary OUT OF THE PRESENT, about cosmonaut Sergei Krikalev, who got stranded up on Mir when the Soviet Union collapsed. Do you ever turn the lights out in the middle of the night and watch the NASA channel when they're showing the footage of the Earth rolling by through the shuttle windows, and pretend you're floating around up there? Then you've love these DVDs.

Coming attractions: AFI 100 flicks, my Oscar review of GLADIATOR, plus PEARL HARBOR.


05.18.01: I'll be making another SF convention appearance next weekend, at Balticon, in Baltimore, Maryland. Four days of hanging out, yacking about science fiction and movies and cool stuff like that -- it's geek heaven.

Coming attractions: AFI 100 flicks, my Oscar review of GLADIATOR, plus PEARL HARBOR.


05.16.01: Hey, SHREK and A KNIGHT'S TALE are almost exactly the same movie: Someone plays at being a knight who shouldn't, to the strains of songs that certainly were not in the hit parade of 1450, and it's all played for laughs. Why does one film work while the other doesn't? Wit and a light touch, which the former has in spades and the latter doesn't. A KNIGHT'S TALE's Brian Helgeland wields a sledgehammer, smacking us upside the head with anachronistic "jokes" and a Message; SHREK's directors, Andrew Adamson and Vicky Jenson, make the audience complicit in the humor, requiring our participation to appreciate the jokes, and let their characters live and breathe without declaring their manifestos to one another. Poor Heath Ledger... shown up by an animated green ogre.

Coming attractions: AFI 100 flicks, my Oscar review of GLADIATOR, plus MOULIN ROUGE and PEARL HARBOR.


05.11.01: A while back I reviewed the terrific Australian film AMY, even though it was one of those under-the-radar indies that hardly anyone would get a chance to see. Well, there's good news for those of you in or near New York City: AMY is coming back to the big screen here. Starting next Friday, May 18th, you can catch this wonderful little film at the AMC Empire on West 42nd Street, which is a great place for indies -- unlike most of the other venues around the city that show small films, the Empire is brand new, with nice auditoriums with stadium seating and great sound, plus, since it's a huge multiplex (they show studio films on the lower floors) they have those concession stands that practically serve three-course meals. (The film will also be showing at the venerable Angelika Theater on Houston Street.) So stop bitching about how lousy the movies have been this year and go see one that's well worth the $10 admission.

Coming attractions: AFI 100 flicks, my Oscar review of GLADIATOR, plus SHREK and MOULIN ROUGE.


05.03.01: The banners are coming down, one by one! Want more to disappear? Do the right thing.

How scary is this? I have a fansite. Or maybe a stalker. *gulp*

Coming attractions: Yes, I'll get to those AFI 100 movies someday soon, ditto my Oscar review of GLADIATOR, plus A KNIGHT'S TALE.


04.27.01: Yes, it has come to this: I am begging for money from you. Why should you give it to me? Click here.

Coming attractions: More AFI 100, my Oscar review of GLADIATOR, and -- woo-hoo! -- THE MUMMY RETURNS.


04.20.01: My other online movie-related endeavor, Cinemarati: The Web Alliance for Film Commentary, is off to a nice start. In addition to the spirited conversations going on at the Roundtable, we're starting to build up an archive of interesting features that you'll only find at Cinemarati -- like the monthly 15:01 Award, bestowed upon an entertainment figure who has overstayed his or her 15 minutes of fame; Guilty Pleasures, in which some prominent online critics reveal the bad movies they love; and more. You'll even find some stuff written by yours truly, which one of these days I'll get around to adding to my Articles page. For now, though, you'll have to click over to cinemarati.org to find it.

Coming attractions: More AFI 100 and my Oscar review of GLADIATOR.


04.13.01: How can it be that two cheapie British TV movies can pack more action, drama, thrills, gorgeous guys, cool uniforms, backstabbing, intrigue, and stuff blowing up real good with a context than a summer's worth of blockbuster Hollywood flicks? Oh yeah: great scripts, great performances, and no movie-star egos in the producing chair. Damn, but two Hornblower movies just ain't enough. And how RETRIBUTION ends just leaves ya panting for more, right now, gimme more.

A fellow critic/friend of mine half-jokingly accused me of being a starfucker for giving in to the irresistible temptation A&E dangled in front of me: the chance to interview Horatio himself, Ioan Gruffudd. It can get weird -- film criticism and making nice with actors or directors can certainly conflict with each other, though of course if I weren't a huge fan of the Hornblower flicks I'd never have found the temptation so irresistible in the first place. But if I ever announce an exclusive interview with Adam Sandler, that will indicate that I have gone off the deep end, and I implore in advance some kind soul to shoot me between the eyes and put me out of my misery.

Anyway, all that was by way of a reminder to check back on my chat with Gruffudd on Monday, when I'll post a few final comments from him on the, um, interesting ending of RETRIBUTION.

Coming attractions: More AFI 100 and BLOW.


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MaryAnn Johanson.
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