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die hard is a xmas movie | by maryann johanson

Paddington movie review: please look in on this movie, thank you

Paddington green light

MaryAnn’s quick take…
Adorable. So witty and compassionate and bittersweet and just the right little bit of snarky that you will cry tears of joy from the perfection of it.
I’m “biast” (pro): love the cast
I’m “biast” (con): was worried about CGI creepiness
I have read the source material (and I am indifferent about it)
(what is this about? see my critic’s minifesto)

So, a small brown illegal immigrant — he doesn’t even have a passport — sneaks over the border into the United Kingdom… and is instantly welcomed into the home of a quintessentially English family in London, complete with a kooky elderly kinswoman of unspecified relation and a house that is the epitome of storybook chic.

And it is adorable.

Adorable.

Paddington is, in fact, so cute and witty and compassionate and bittersweet and just the right little bit of snarky and positively downright altruistic that you will cry tears of joy from the perfection of it.

This movie is UKIP’s biggest nightmare. Indoctrinating the kiddies to look kindly upon illegal immigrants? What is the world coming to?!

(For the benefit of my non-U.K. readers, UKIP is the reactionary, isolationist, anti-immigrant political party led by a dangerous, Roderick Spode-ish buffoon that is, alarmingly, gathering some momentum on the national stage. The Fox News demographic in the U.S. would love UKIP, if UKIP wasn’t suspiciously foreign.)

Now, I have no real childhood emotional attachment to the bear called Paddington: we had some of the books around when I was a kid but I don’t recall any tremendous love for them. And I was more than a little worried about the potential for CGI creepiness in dropping a cartoon talking animal into a movie that is otherwise live action. (It’s okay for Gollum to be creepy, but not a marmalade-loving ursine of childlike naiveté and wonder.) But while, as a technical achievement, Paddington is nothing less than a triumph, what completely won me over was the film’s gentle, effortless charm. Ben Whishaw (Lilting, The Zero Theorem) gets Paddington’s voice just right, and the movie wouldn’t have worked without the absolutely correct actor bringing him to life. Yet it also wouldn’t have worked without the perfect balance of fantasy and silliness buoying the whole endeavor, either. Screenwriter and director Paul King finds that perfect balance: the talking bear from Darkest Peru may be a novelty in a big, cosmopolitan city, but he is accepted by one and all… even by the villain, Nicole Kidman’s (Before I Go to Sleep, Grace of Monaco) evil taxidermist, who wants to catch Paddington and stuff him, naturally.

The crux of the tale revolves not only around Paddington’s attempts to get comfortable in a “strange cold city” that is not as welcoming as he expected it to be, but also around Mr. Brown (Hugh Bonneville: Muppets Most Wanted, The Monuments Men), stodgy patriarch of the family who takes him in, to learn how to relax a little and not worry so much about having a rambunctious bear around the house. (Mrs. Brown, aka Sally Hawkins [Godzilla, The Double] in full-on manic pixie dream mom Sally Hawkins mode, will have something to do with this.) But there’s a huge dollop of social satire happening as well, sending up both harmless British quirks — Paddington learns how to talk about the rain in London — and some of the more insidious ones: there is gentle, and very funny, skewering of British colonial attitudes via Paddington’s search for the English explorer who once visited Darkest Peru and introduced his family to the joys of marmalade.

King also drops in a slew of tiny details that make for a rich cinematic environment that will reward multiple viewings. I’m sure I missed tons of them, but the ones I did notice — the “foot of the stairs”; the ominous posters in the Tube station during Paddington’s trepidatious first foray on mass transit — make me keen to see what else I can find.

Oh, and there’s also some heartstopping peril. Seriously, I cannot recall the last time I held my breath worrying about a character onscreen like this. And certainly not over a CGI bear.

Are you sold yet? No? The cast is an Anglophile’s dream, and also features Peter Capaldi (Doctor Who, The Fifth Estate) as the Browns’ mean neighbor; Julie Walters (Brave, Harry Potter and the Deathly Hallows Part 2) as the kooky aunt-like Brown, Jim Broadbent (Le Week-end, Cloud Atlas) as an antiques dealer who helps Paddington in his quest to find the explorer, and Michael Gambon (Quartet, The King’s Speech) and Imelda Staunton (Maleficent, Pride) as the voices of Paddington’s aunt and uncle back in Darkest Peru.

This is sheer hilarious delight. Do not miss it. You don’t even need to bring a kid with you.


See also my #WhereAreTheWomen rating of Paddington for its representation of girls and women.


see also:
Paddington 2 movie review: wrap yourself up in this bear hug


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Paddington (2014) | directed by Paul King
US/Can release: Jan 16 2015
UK/Ire release: Nov 28 2014

Flick Filosopher Real Rating: rated BNMG (contains bear nudity and marmalade gore)
MPAA: rated PG for mild action and rude humor
BBFC: rated PG (dangerous behaviour, mild threat, innuendo, infrequent mild bad language)

viewed at a private screening with an audience of critics

official site | IMDb | trailer
more reviews: Movie Review Query Engine | Rotten Tomatoes

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