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part of a small rebellion | by maryann johanson

Blockers movie review: the kids are all right

Blockers yellow light

MaryAnn’s quick take…
It’s oddly structured, doesn’t seem to know whom its audience is, and indulges in too much distracting grossout humor. But the sex-positive message and the delightful cast make it just about worthwhile.tweet
I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
women’s participation in this film
female director, male screenwriter, female coprotagonist
(learn more about this)

The premise: Three parents discover that their daughters, fast friends all since kindergarten, have vowed to each lose their virginity on the night of their senior high-school prom. And, by god, those parents are going to stop them.

I thought: Ugh. No way. We do not need more of this anti-sex junk. We need movies about teenaged girls acknowledging their sexual desire and pursuing sex like we’ve seen teenage boys do onscreen since forever. We need movies about parents who trust their daughters with their own bodies. We need movies about happy pleasurable mutual relaxed comfortable sex between enthusiastic consenting partners who might be madly in love or maybe they’re just looking for some fun.

Blockers: A cautionary tale about trying to interpret your kids’ texts.

Blockers: A cautionary tale about trying to interpret your kids’ texts.

And… wonder of wonders… that’s what Blockers actually is. Color me astonished.

Not that this is a perfect movie. Far from it. The way it’s structured, with the parents’ role shifting from that of the protagonists who are presumed to have our sympathy to pretty much the villains of the tale whom we are rooting against is… odd. I suppose the concept could theoretically work, but that swing never gels here. But more worrying is that I don’t think screenwriters Brian and Jim Kehoe (with their second script together after 2005’s Overachievers) know whom their story is for. Who is the audience for Blockers? Is it adults who need a wake-up call in their relationships with their teens? Is it teens who wish Mom and Dad would have faith in their decisions? Is it meant to be fun for the whole family (leaving the littler kiddies at home, of course)? I think that last one is wildly optimistic, given how we’re all just starting as a culture to get comfortable with the whole sex-positive thing.

Is it meant to be fun for the whole family? I think that may be wildly optimistic…
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That said, director Kay Cannon — the Pitch Perfect creator and screenwriter making her directorial debut — has assembled a thoroughly delightful cast to enact this confused but well-meaning scenario, and they make it just about worthwhile. Lisa (Leslie Mann: How to Be Single, Vacation) is single mom to Julie (Kathryn Newton: Lady Bird, Big Little Lies). Hunter (Ike Barinholtz: Bright, The Disaster Artist) is the absent dad to — but trying to be more involved with — Sam (Gideon Adlon). But the very best pairing is John Cena (Ferdinand, Daddy’s Home 2) as Mitchell, overly sentimental and overly protective dad to Geraldine Viswanathan’s Kayla. Cena has become an unexpectedly sweet presence onscreen, and he has a real knack for both projecting vulnerability and pulling off physical comedy. Viswanathan is an absolute find: she just about steals the movie with Kayla’s breezy charm and rock-solid assertiveness.

The two best reasons to see this movie: John Cena and Geraldine Viswanathan, stealing it as father and daughter.

The two best reasons to see this movie: John Cena and Geraldine Viswanathan, stealing it as father and daughter.

The girls all have great chemistry with one another, as the parents do among themselves, too; it’s particularly gratifying to see an adult friendship between a man and a woman that is not in the least bit about romance, as Mitchell and Lisa’s relationship is. It all makes for a far more genial ensemble than you might expect, given the raunchiness on display, which is often, in these sorts of movies, a substitute for honest emotion. But there’s plenty of genuine sentiment happening here. (I also love the casual way in which interracial relationships are handled, just completely without commentary, because it’s not needed. Mitchell’s wife, Marcie [the awesome Sarayu Blue] is Southeast Asian, and Sam has a black stepdad [the awesome Hannibal Buress: Spider-Man: Homecoming, Baywatch].)

I wish the film hadn’t felt the need to resort to the occasional bit of grossout humor: it adds nothing and detracts from the larger humanity of the story it wants to tell, about finding more pleasure and confidence in our bodies, not being squicked out by them. Still, baby steps…


Click here for my ranking of this and 2018’s other theatrical releases.


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yellow light 3 stars

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Blockers (2018) | directed by Kay Cannon
US/Can release: Apr 06 2018
UK/Ire release: Mar 30 2018

MPAA: rated R for crude and sexual content, and language throughout, drug content, teen partying, and some graphic nudity
BBFC: rated 15 (strong language, crude humour, sex, nudity, drug misuse)

viewed at a semipublic screening with an audience of critics and ordinary moviegoers

official site | IMDb | trailer
more reviews: Movie Review Query Engine | Rotten Tomatoes

If you’re tempted to post a comment that resembles anything on the film review comment bingo card (now updated for 2017’s trolls!) you might want to reconsider.

  • althea

    What a welcome surprise! I saw a TV promo for this and thought, “this looks horrible” – full of tropes and dumb teen-movie jokes, and my impression of John Cena has been, well, dumb jock joke. Your take on it is actually enough to make want to see it even though it’s a yellow dot, just to check out those positives you name. (Of course I won’t, though, too many better movies to see first.)

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