film criticism by maryann johanson | celebrating 25 years: 1997–2022
The to-die-for cast can’t quite save this melodrama from its trite obviousness, in which rage and grief are matters of tasteful, upscale lifestyle. But they at least make it passingly watchable.
As harshly beautiful as its landscape, this is a stark corrective to the American western it echoes, and a pragmatic confrontation with the deep, tenacious roots of modern racism.
Tosses out the very sentiments that make Beatrix Potter’s work so beloved and so enduring in favor of the sullen bratty championing of cruelty and disenchantment. Nihilistic money-grubbing garbage.
A lazy, insulting xerox of better movies about Liam Neeson growling into cell phones at enigmatic villains. Devoid of tension and mystery, and rife with plotholes that derail the trip.
I am the prime demographic for this movie, and I found it only sort of inoffensively blah. Chris Pratt: He’s no Jeff Goldblum.
It shouldn’t work, but it does, as wonderfully sardonic British humor and as a reminder that you’re not alone in being messed up in this insane world.
I’d venture to guess that Asimov’s name is synonymous with science fiction even among the general public who don’t read. It seems like a no-brainer for Hollywood to glom on to Asimov’s reputation to pre-sell films. So why hasn’t it?
We know how it is: You’d like to go to the movies this weekend, except you’re way too scared to actually ask out the girl you like. But you can have a multiplex-like experience at home with a collection of the right DVDs. And when someone asks you on Monday, “Hey, did you see Youth … more…
It’s the perfect, ultimate, brilliant extrapolation of the vampire conceit: What happens once almost everyone’s a vampire, unturned humans are nearly extinct, and the tastiest, most satisfying blood — the human kind — is running out?
Take a break from work: watch a trailer… The January release date is not encouraging, but I like this trailer. I like the new take on the very old vampire tropes. I like that this is from brothers Michael and Peter Spierig, who made the surprisingly poignant Undead on the cheap a few years ago … more…
