
Venom movie review: no teeth, no bite
A dull, dated comic-book clunker that is somehow even smaller and lesser than the sum of its noisy, junky, clichéd bits. So perfunctory that it saps even its excellent cast of all their charisma.

A dull, dated comic-book clunker that is somehow even smaller and lesser than the sum of its noisy, junky, clichéd bits. So perfunctory that it saps even its excellent cast of all their charisma.

Primal and exhilarating, full of dread and tension. Drops us right into the chaos of war to tell an intimate story about fear and intensity of purpose.

Now updated with all the winners…

High-toned body horror that emotionally and tonally starts on one note and never deviates from it, which becomes rather exhaustingly dull.

Tom Hardy is fab, but this is GoodFellas-lite, depicting violent sociopaths as glamorous, even amusing, and lacking all understanding of what made them tick.

No one has done a musical like this before, keeping an uneasy beat to craft a dark replica of scared community spirit in the wake of a shocking crime.

IMPORTANT UPDATE! The He-Man Woman Haterz Club that is so very worried about Mad Max: Fury Road don’t like to be called MRAs…

Astonishing. Achieves its grotesque, magnificent brutality in an old-fashioned way that serves as a smackdown to bloated, sterile CGI monstrosities.

Overly complicated yet somehow anticlimactic, and constructed more with pat Hollywood pomp rather than the authentic grit it demands.

Cements Tom Hardy’s reputation as one of the most effortlessly mesmerizing actors working today.