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Another of the presenters at the Mead discussion I’ve been talking about was Sameer Padania, manager of The Hub, a new project of Witness, the international human rights organization, that supports the strategic use of video to address human rights abuses online and offline. I’ll be using The Hub as one of the sources for … more…
Here’s the thing about Joel and Ethan Coen: they can make anything, absolutely anything, intensely profound and deeply weird — and weirdly deep — and cruelly magnificent all at the same time.
This example of the latest ‘advance’ in animation technology is sterile, synthetic, almost completely unengaging on a human level. It’s animated but inanimate.
See it: • Ocean’s Thirteen [buy it]. From my review: Of course, much of the pleasure of O13 comes in watching Danny and his pals worm their way around Bank’s countermeasures, but there is also some bittersweet and melancholy to-do about how this town is changing and how little room there is left in it … more…
Pen scratched to page or Fingers typing on keyboard Ignites the magic
Just a quick request for you to be nice to my blogads advertisers — Discovery Channel, Cary Brothers & Ben Lee, and, down in the righthand column, the Sci Fi Channel. Even more so than the other banners and boxes, the blogads help support FlickFilosopher.com. So give ’em a click and a visit, if you’re … more…
(If you don’t already know Jonathan Coulton, you should.) (Technorati tags: I Feel Fantastic, Jonathan Coulton)
Hey, there’s a new Mummy movie heading our way. Did you know that? I didn’t. I really loved 1999’s The Mummy — I loved it cuz it was the fourth Indiana Jones movie we’d been waiting for — and the 2001 sequel, The Mummy Returns, is almost as much fun. So I’m primed for more. … more…
My weekly recap of this week’s episode of Heroes is is here at Film.com. Comment here, if you like…
Mise en scene! he cried Film school jargon obscuring The beauty onscreen
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