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Like all Frazetta fantasy posters came to life all at once. A masterpiece of cinema that truly speaks to the interests of white male teenage nerds from 1987.
With the tower of St. Pancras’ railway station in the background.
Quickly dispels oh-no-not-more-doom-and-gloom climate-change trepidation with the optimism embodied in the title. There is hope for us, but we must act now.
Told with a lovely romantic sweep and full of raw, honest emotion, this is a gay love story that’s also just a great love story, full stop. Yay.
Two fun characters played by two great actors with fantastic chemistry together go in search of a movie, and — spoiler! — never quite find it.
The New River is actually a manmade aqueduct dating from the early 17th century…
This miscalculated romantic dramedy is pathetically simplistic about morally complicated issues, and kind of offensive to those living with disabilities.
Outside a modern sandwich shop, leftover signage for a place where people once hung out.
Leaden and witless, though it obviously believes there is humor in its loud, chaotic juvenility. It would be an insult to cartoons to call this cartoonish.
Hilariously, casting white Westerners as mortals and deities of the ancient Nile is the least offensive thing about this crime against goofball cinema.
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