
Where Are the Women? rating criteria (updated!)
Criteria for Where Are the Women? rating project, with a few minor tweaks based on my analysis of 295 films over the past 16 months.

Criteria for Where Are the Women? rating project, with a few minor tweaks based on my analysis of 295 films over the past 16 months.

It’s not the real thing, of course, but still: in your face, violent medieval mindsets.

A beautifully observed film about ugly human emotions and experiences, and a stunning example of how big a world can be sketched on a tiny budget.

Hilarious satire about rebooting religion with a goddess in charge this time. A little bit Douglas Adams, a little bit Terry Gilliam, a whole lot irreverent.

A smartly dispassionate and skeptical look at “shaken baby syndrome,” and an accidental portrait about how science fails us when it solidifies into dogma.

As entertaining on an escapist level as it is irrefutably engaging on a level that is essential for citizens who are players in our political environment.

Grim treats, mining suspense and urgency from intensely plotted dual timelines of brutal criminality. A must for fans of rumpled, cynical, bitter detectives.

The most luxurious and comfortable place I’ve ever seen a movie… or three.

Goes right up to the bleeding edge of cinema to tell a story that is strapping yet simple, and hugely appealing. Disney found a good reason to redo an old film.

In terms of both budget and profit, it costs nothing to treat women like people onscreen. [This post is not behind the paywall.]