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Year: 2016

Where Are the Women? rating criteria (updated!)

Thu, Apr 21, 2016
6 comments

Criteria for Where Are the Women? rating project, with a few minor tweaks based on my analysis of 295 films over the past 16 months.

| 6 Comments

London photos: Palmyra Arch in Trafalgar Square

Tue, Apr 19, 2016
no comments yet

It’s not the real thing, of course, but still: in your face, violent medieval mindsets.

| Leave a comment

The Survivalist movie review: whatever it takes

Tue, Apr 19, 2016
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A beautifully observed film about ugly human emotions and experiences, and a stunning example of how big a world can be sketched on a tiny budget.

| Leave a comment

The Brand New Testament (Le tout nouveau testament) movie review: the divine feminine

Mon, Apr 18, 2016
3 comments

Hilarious satire about rebooting religion with a goddess in charge this time. A little bit Douglas Adams, a little bit Terry Gilliam, a whole lot irreverent.

| 3 Comments

The Syndrome documentary review: baby with the bathwater

Mon, Apr 18, 2016
3 comments

A smartly dispassionate and skeptical look at “shaken baby syndrome,” and an accidental portrait about how science fails us when it solidifies into dogma.

| 3 Comments

Eye in the Sky movie review: in the eyes of 21st-century warriors

Fri, Apr 15, 2016
11 comments

As entertaining on an escapist level as it is irrefutably engaging on a level that is essential for citizens who are players in our political environment.

| 11 Comments

The Keeper of Lost Causes (Kvinden i buret) and The Absent One (Fasandraeberne) movies review: good clean nasty Nordic noir

Fri, Apr 15, 2016
2 comments

Grim treats, mining suspense and urgency from intensely plotted dual timelines of brutal criminality. A must for fans of rumpled, cynical, bitter detectives.

| 2 Comments

London photo: my new favorite screening room

Thu, Apr 14, 2016
6 comments

The most luxurious and comfortable place I’ve ever seen a movie… or three.

| 6 Comments

The Jungle Book movie review: welcome to the jungle

Thu, Apr 14, 2016
6 comments

Goes right up to the bleeding edge of cinema to tell a story that is strapping yet simple, and hugely appealing. Disney found a good reason to redo an old film.

| 6 Comments

Where Are the Women?: movies that represent women well are just as likely to be profitable as movies that don’t, and are less risky as business propositions

Wed, Apr 13, 2016
6 comments

In terms of both budget and profit, it costs nothing to treat women like people onscreen. [This post is not behind the paywall.]

| 6 Comments
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