The Out-of-Towners (review)

We’ve all heard of a thing that is greater than the sum of its parts. But can a thing be less than the sum of its parts? That’s how I feel about The Out-of-Towners, which should be less forgettable than it is. It has King Tut and Basil Fawlty and a Kid in the Hall, fer pete’s sake, and yet two days later I can barely recall it.

Mighty Joe Young (review)

Disney hasn’t had much of a track record lately when it comes to live-action films — its latest, My Favorite Martian, is a forgettable mess, strangely full of both preschooler toilet humor and situations way too risque for young eyes. So how delightful it is to find that Mighty Joe Young is a family movie in the old style — it’s Brothers-Grimm scary but not bloody or overly violent, it doesn’t offer a single fart joke, and you won’t need to cover the kids’ eyes during the love scene, which consists only of a sweet, romantic kiss.

Snake Eyes (review)

I remember seeing the trailer for Snake Eyes in the theater last year and feeling as if it gave the whole movie away. So I was delighted to find the theatrical trailer right there on the Snake Eyes DVD — I could watch it again before the movie and check my suspicions against the actual film. So I did.

EDtv (review)

Like last year’s Wag the Dog, EDtv sets out to spoof the media and inadvertently ends up lampooning the public that consumes the media’s products. Genial and laid-back where Dog was biting and sarcastic, EDtv nevertheless raises many of the same questions Dog did — questions to which no one, on- or offscreen, seems to have the answers.

True Crime (review)

It’s hard to know what’s most offensive about True Crime. The undisguised misogyny? The ridiculous plot? The over-the-top performances from actors who should know better? The lack of a single character who isn’t a stereotype? Or the fact that the same man, Clint Eastwood, who made the subtle and original Unforgiven is also responsible for this claptrap?

Out of Sight (review)

Out of Sight is a lot of fun, and forced me to revise upward slightly my middling opinion of George Clooney. Pair him with Jennifer Lopez again, and I’ll be real happy.

Titanic (again again) (review)

A film of immense power and eerie beauty, James Cameron’s Titanic could only have been made now, not because of its technical requirements but because the cultural attitudes of the era in which it is set have come full circle to concern us again today.

Braveheart (review)

Braveheart has a primal, visceral power — as when Wallace, in the aftermath of a battle, stands over the carnage he’s wrought and screams in victory, nostrils flaring — that strikes straight to the heart of any warm-blooded Celt, or indeed anyone who values freedom and human dignity.