Who Framed Roger Rabbit (review)

Why do people automatically think ‘kids’ movie’ if cartoons are involved? Who Framed Roger Rabbit has way more appeal for grownups than it does for tykes, and I’m not entirely sure this hard-boiled tale of sex, murder, and — ahem — graphic animation is suitable for young eyes. Though those qualities are exactly what has made it a cult classic among movie fans.

The Adventures of Rocky and Bullwinkle (review)

The Adventures of Rocky and Bullwinkle instantly dates itself, too, with its satirical swipes at the Internet, celebrity mania, cable television, the presidency, Hollywood, and the general dumbing down of America, and it likely will cease to be amusing, except in retrospect, in only a few years. But right at this moment, it’s pretty darn funny.

Stalag 17 (review)

I hadn’t much idea what I was in for with 1953’s Stalag 17. I supposed I imagined something dreary and earnest — I certainly wasn’t prepared for funny. But what else could I have expected, in retrospect, from the film that had to be the inspiration for the TV series Hogan’s Heroes.

Wallace and Gromit Trilogy (review)

Wallace and Gromit are the creations of British animator Nick Park, who has turned his hapless claymation characters into figures of cult adoration, seemingly without much effort on his own part. Clever yet unassuming, simple enough for kids to enjoy but steeped in a deep, rich knowledge and love of classic film that tickles adults, the three films starring Wallace and Gromit are among the finest and most fun animated shorts ever made.

Deep Blue Sea (review)

Deep Blue Sea is not Jurassic Park. Of course it isn’t. This one is about sharks, not dinosaurs. Any idiot could see the difference.

Shaft (review)

Shaft smells like a franchise from the moment the lights go down, with a credits sequence ready-made for recycling and a theme song you can already sing along with. Cool vibes undulate off the screen, and you think: This is it. This is the new Bond. We are going to drown in cool every other summer for the next decade. Sam Jackson rocks!

Jesus’ Son (review)

Fuckhead (Billy Crudup: Waking the Dead) more than shows he deserves this disparaging nickname in Alison Maclean’s joyless and empty Jesus’ Son. An unemployed drifter moping around Iowa City in the early 1970s, FH keeps company with friends he hates and a new girlfriend, Michelle (Samantha Morton), who gets a kick out of living in … more…