The Haunted Mansion (review)

So, it’s not *The Country Bears,* thank the gods, not an affront to the universe, nothing we’ll have to disavow as a species before we’re admitted to the Interstellar Federation or anything. But it ain’t *Pirates of the Caribbean,* either, it’s nothing like even a shadow of that kind of magnificent popcorny movie fun. It’s mostly just predictable and boring and all silly not-scary stuff popping out and going Boo! and– Hello, *who* is this? Tall, dark, and handsome with the scrumptious British accent and the fabulous costumes and the romantic yearning and the making my toes curl?

The Missing (review)

Why can’t we live in the alternate universe where *The Missing* really is ‘the most hauntingly powerful film of the year’ or whatever they’re pretending it is on the ubiquitous television commercials? I want to see *that* film, the one that looks like a horror western done up by the love child of Sam Raimi and Peter Weir, full of spooky mysticism and stirring adventure and Cate Blanchett kicking ass and Tommy Lee Jones doing his rugged tough-nut thing.

Bad Santa movie review: none more black

So, when I attended a screening on November 14, I was already primed for *Bad Santa,* the meanest, curmudgeonliest, blackest holiday movie I’ve ever seen, and I’ve seen most of ’em. It’s like, How much more black could it be? And the answer is None, none more black. I haven’t laughed at film this hard all year, and maybe not last year, either. And much of that laughter sprung from shock: I spent half the film saying to myself, ‘Holy crap, I can’t believe they did that!’ and ‘They did *not* just do that!’ It’s hard to be shocking in the era of the Farrelly Brothers, but *Bad Santa* is shocking partly because it’s so unrepentant and unapologetic. There’s no attempt to infuse the film with heart or soul or sweetness or light. *Bad Santa* unrelentingly twisted. And that’s just wonderful.

Timeline (review)

There’s not enough Bruce Campbell in this medieval action comedy. I kept expecting him to fall out of the sky with his clunker car and his chainsaw and berate the primitive screwheads and demonstrate the power of his boomstick, and he kept failing to do so. So the not-enough amount of Bruce Campbell present is, in fact, zero. Bruce, I’m very disappointed.

The Cat in the Hat and Gothika (review)

Isn’t it odd, how just as that time of the year comes around when we critics and lots of other people who love movies are starting to think about all the superlatives of the past year, that we have together in a single weekend the most terrifying film of 2003 as well as one of the funniest.

Anything but Love (review)

Billie Golden hails from Queens, New York, a singer of old standards in a dive where the bartender runs the noisy blender during her songs and the patrons are all 185 years old. But she dreams of serenading a more glamorous time, when elegant waiters served martinis and handsome young men lit the cigarettes — … more…

Looney Tunes: Back in Action (review)

I’m watching Brendan Fraser on *The Daily Show* right now — this is what I get for procrastinating my way, as always, into writing my review late into the night, mere hours before the film opens — and Fraser is either stoned or drunk or way more surfer-dude than any Canadian I’ve ever seen. He’s hilarious, and he’s cracking me (and Jon Stewart) up with his attempts to describe the plot of *Looney Tunes: Back in Action.*

Elf (review)

If only there really were a Santa, and he really had a Naughty list, and there really were consequences for getting oneself on that list. Then we could at least hope for lumps of coal to be distributed to the guilty parties behind *Elf.* But there is no Santa, and the world is full of Naughty people who not only go coal-free but get bonuses for their Naughtiness when it doesn’t even try to appeal to anything beyond the lowest-common denominator and becomes a huge hit.