Be Cool (review)

I can’t be cool like Chili Palmer, and neither can you. No one can, so don’t even try. Chili doesn’t just embody cool — he *defines* cool. He’s so cool, in other words, that he can take something uncool and make it cool just by deigning to be associated with it. Like *Be Cool* — though I hasten to add that I’m not suggesting that *Be Cool* is anything other than cool from the get-go. It’s a Hollywood paradox: *Be Cool* is cool because it’s about Chili, but it wouldn’t be about Chili if Chili deemed it beneath his notice — if there was no possibility of cool to be found in it, then Chili would have nothing to do with it. There’s a Nobel Prize to be had in the exploration of this kind of pop-culture quantum physics, if only Stockholm cared about the *important* stuff.

The Jacket (review)

I like a good mind fuck as much as anyone, but hey, Mr. Movie, do not roll over and light a cigarette before you’ve done your job. Jack Starks is a Gulf War vet wrongly convicted of murder (or is he?) by reason of insanity — his brains got scrambled by a bullet in Iraq … more…

best writing and direction of 2004: cut and print…

BEST DIRECTOR Lars von Trier, Dogville Ever a risktaker, Lars von Trier took one of the biggest risks onscreen in 2004 with a determinedly uncinematic film that was also unabashedly political — a breathtaking and refreshingly daring combination in an era of play-it-safe “entertainment.” Setting his cast and his scene on a bare, black-box stage, … more…

Shortcuts

These reviews have moved — sorry for the inconvenience. Because of Winn-Dixie The Big Black Comedy Show Bigger Than the Sky Downfall Hunter: The Complete First Season Ice Princess The Jacket Murder One: The Complete First Season Oliver’s Travels Ong-Bak: The Thai Warrior Steamboy The Tracker

best performances of 2004: ready for their closeup…

BEST ACTOR Don Cheadle, Hotel Rwanda It’s a role that, in the hands of even another very competent actor, could have descended into pathos and sentimentality, but Cheadle’s performance goes way beyond mere competence: As an Oskar Schindler-type figure in Rwanda’s 1994 genocide, he approaches incomprehensible horrors in a way that makes us intimate partners … more…