Star Wars Episode III: Revenge of the Sith (review)

This isn’t just a movie. You don’t have to have been married by a justice of the peace in Jedi robes or have named your dog Boba or have spent the last three weeks on a line outside the Ziegfeld or Grauman’s Chinese Theater to feel that. If you’re any kind of geek and you’re around my age — 35 — you’ve spent pretty much your whole life waiting for this moment. It was nine years ago — 1996 — that George Lucas announced he’d be making a new *Star Wars* trilogy, and if you’re like me, hearing this was like being eight years old again and being told to wait patiently for summer vacation or your birthday. It won’t be finished until *2005*? How can I possibly be expected to wait for that kind of eternity to find out how Darth Vader becomes Darth Vader?

Star Wars: Clone Wars: Volume One (review)

If you were a Star Wars completist dork like me as a kid — I had to have all the action figures, including all the cantina characters I didn’t even remember being in the film and all the characters in their different costumes, like Leia in her Bespin getup — then you’ll probably want to … more…

The Star Wars Holiday Special (review)

Here’s what you have to do in order to survive *The Star Wars Holiday Special*: Don’t watch it. If you must, then 1) Have alcohol or some other inebriating substance close to hand — a rock to bang against your skull will do in a pinch. And 2) Remember that your tender 10-year-old self probably witnessed this atrocity the one time it aired on TV to unsuspecting, nay, *eager* audiences, and suffered such psychological trauma that your brain blocked off the memory in order to spare you further harm; know that you may suddenly experience violent flashbacks to Christmas 1978 as that mental wound is viciously reopened.

Kicking & Screaming and Monster-in-Law (review)

Just when you think the genre of the humiliation comedy can’t reach any new depths of repugnance and depravity, along comes Will Ferrell, the doofus king of self-debasement in the name of entertainment, to prove you wrong.

Unleashed and Crash (review)

With its clear and obvious choices — think Eddie Izzard’s ‘cake? or death?’ bit — *Unleashed* really is a fairy tale next to *Crash,* where half the time when you think you’ve got a grasp on what’s the ‘right’ thing to do and the ‘right’ way to live, you turn out to be wrong, even if the other guy is wrong, too.

Jiminy Glick in La La Wood (review)

Is the movie silly? Yup. Even maybe kinda dumb? You betcha. I laughed anyway — I admit it. I think maybe it’s cuz I’ve missed Martin Short all these long years since SCTV. Remember Ed Grimley? I loved him. His Nathan Therm on Saturday Night Live? (Of course I remember Nathan Therm? What makes you … more…

Enron: The Smartest Guys in the Room (review)

This is it right here, people: the ‘ownership society’ our so-called leaders think we ‘deserve,’ an unregulated, unpoliced Wild West of corporate hegemony. Fraud, greed, arrogance, powermongering? All part of the game, folks, all part of the game. It’s every man for himself, the way God intended, and God help you if you were so fucking stupid that you let yourself be born with anything less than a platinum spoon in your mouth and powerful connections out the wazoo. Cuz most of us are gonna end up serfs if this stuff continues.

Look at Me (review)

Hey, if you’re into whiny soap operas about self-obsessed people who never shut up complaining about how miserable they are, have at it. But if you get enough of that in real life or just don’t care to spend a couple hours with fake people who are that exasperating, no one would blame you for … more…

Double Dare (review)

In a male-dominated industry — filmmaking — there’s probably not a specialty more fueled by testosterone than stuntwork, and the women who choose this bruise- and discrimination-ridden path are exactly as tough as you’d expect. Two of them are profiled in Amanda Micheli’s festival-favorite documentary, which never lets its enormous love and respect for its … more…

Kingdom of Heaven (review)

Okay, baron, actually. Orlando Bloom plays a baron, a medieval French baron. But still. Yum. I’m sorry — I can’t help it. He’s *beautiful.* So, I’m shallow. I admit it. He’s *gorgeous,* and any hotblooded heterosexual woman who denies she’s going to see *Kingdom of Heaven* just because Orlando Bloom is in it is lying, I tell ya: lying. Or else she’s a medieval scholar and wants to see how Hollywood gets it all wrong. But even that woman is going to Not Care how wrong it might be when he strides across the screen all long and lanky and swings a sword and gets all angst-ridden for more reasons than a man should have to be angst-ridden and blinks those limpid eyes in masculine pain and talks with that mouth you just want to smush and make all the hurt go away…