movie-ku #40
Because I’m seeing this tonight, and will probably buy the new DVD box set when it’s released in December: ‘Blade Runner’’s new cut An advance of art on film? Or DVD ad?
Because I’m seeing this tonight, and will probably buy the new DVD box set when it’s released in December: ‘Blade Runner’’s new cut An advance of art on film? Or DVD ad?
This is a tough one to talk about. On the one hand, it’s failure, maybe even a disaster. On the other hand, it’s so fascinating a failure that it’s worth seeing…
Saw IV The torture-porn franchise is back for its fourth outing, featuring yet more terrible young actors you’ve never heard of enduring bodily mutilation. Is beating a dead horse considered “cruel and unusual” punishment? (not screened for critics) Dan in Real Life Steve Carell is unlucky in love… again, plus he’s stuck with Dane Cook … more…

If you can manage to get through Dan in Real Life without falling madly in love with both Juliette Binoche and Steve Carell, then you’re a better man than I am, Charlie Brown.
Keith wasn’t on last night. Oh, Countdown, MSNBC’s only show worth watching, was on, but no Keith. Who the hell does he think he is, anyway? Just because he had the chance to go to some silly baseball game — apparently it was an important one or something — we should be left Keithless for … more…
The movie of the month for November 2006 from Film Movement — the DVD subscription club that introduces viewers to indies and foreign films we’re unlikely to see anywhere outside of festivals; they’re available to the general public a year later — this Czech production is lovely in its harried, hard-won emotion and bitter eccentricity. … more…
Guess the movie character! (Starting you off with an easy one…) Straight outta Joisey More ways than one a rock star He’s the uber geek
Monotonous, repetitious… highlights the ordinary in the most banal way possible…
Her schtick seems deliberately calculated to induce paroxysms of nerdy joy in a specifically juvenile segment of the male audience…
The goofy attitude and quick play is momentarily diverting, but the implied satire on the contemporary art market and artist subculture is one-dimensional, at best.