
Exodus: Gods and Kings movie review: whites only
Simultaneously the dullest and the most insulting version of itself it could possibly be. If only it had managed to be campy, that’d be something…

Simultaneously the dullest and the most insulting version of itself it could possibly be. If only it had managed to be campy, that’d be something…

Graffiti spotted on the Upper East Side.

I hope the bank’s security goes beyond a guy with a hat and a six-shooter.

Except for fleeting glimpses and references, women are entirely absent from this story. But here’s a rare instance where that’s actually legitimate. [This post is not behind the paywall.]

A bit of sly commentary on how tough it can be for a woman in a “man’s” job gives this historical drama some very 21st-century feminist relevance. [This post is not behind the paywall.]

Not part of the British Tesco family, I presume.

The film would not exist if Edward Snowden had not known of documentarian Laura Poitras as a fearless journalist and entrusted her with his story. [This post is not behind the paywall.]

A couple of awesome women in traditionally male-dominated STEM roles make up for a male protagonist (even if he does get to have most of the fun). [This post is not behind the paywall.]

Well, not exactly private, but based here so that you can communicate and hang out with other FlickFilosopher.com readers.

Spotted on a table in a Shake Shack on the Upper East Side.