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Rami Malek brings warmth, humor, and a down-to-earth humanity to the larger-than-life Freddie Mercury. But it is the power of Queen’s music — the rousing good cheer, its sheer rock ’n’ roll joy — that fills up this pure brash entertainment.
Simultaneously sharp and tender portrait of longstanding family squabbles and resentments finally coming to a head. Achingly affecting performances and poignant details ground it in melancholy authenticity.
Abby Epstein directs medical-marijuana documentary Weed the People; Frances Causey directs racism documentary The Long Shadow; more…
A smart, vitally important documentary look at medical marijuana, how it is helping real Americans right now, and why Big Pharma has ignored its healing properties.
Very last minute, but this has just come together.
Sandi Tan writes and directs documentary Shirkers; Audrey Wells writes and Amandla Stenberg stars in teen drama The Hate U Give; more…
This portrait of drug addiction and its impact on a family may be Hollywood sleek and smooth, but its authenticity is in the empathy, in the lack of judgment. Steve Carell is absolutely heartbreaking.
In his latest righteous broadside, Michael Moore takes on Donald Trump as but a symptom of the political rot in the United States. Upsetting, enraging, exhausting… which is just as it should be.
The Hunt for Red October as made by a Michael Bay wannabe who can’t even rise to the level of giving-a-propagandistic-crap. Absurd geopolitics and laugh-out-loud clichés abound; tension and excitement do not.
Elizabeth Chomko directs family drama What They Had; Marielle Heller directs literary-forging dramedy Can You Ever Forgive Me?; plus a whole bunch of documentaries directed by women…
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