handcrafted by maryann johanson (human) | 100% free of AIs and algorithms
A wholly remarkable film, just barely fictionalized from the lives of its cast of nonprofessional actors, about the indomitable spirit of the women of East Africa. Pili’s life isn’t unrecognizable to women worldwide, though.
Better than the unfunny first one, not as witty as the clever second one. But it has a bit of sly Brexit bite that is very welcome right now. Laugh until you cry!
A self-indulgent, faux-woke mashup of noir crime, black comedy, and Tarantino-esque ultraviolence. Some great performances, including a spectacular feature debut from Cynthia Erivo; shame they’re so wasted.
Damian Chazelle finds a dreamlike reverie amidst rocket-powered mechanical brawn. As wonderfully, nerve-wrackingly exhausting as it is movingly intimate.
But you have plenty of other options for following me on social media…
Marta Prus directs a documentary about Olympic gymnast Margarita Mamun; Theresa Rebeck directs feuding-siblings dramedy Trouble; more…
Heather Lenz directs a documentary about artist Yayoi Kusama; Sahra Mani directs a documentary about women impacted by sexual abuse in Afghanistan; more…
A dull, dated comic-book clunker that is somehow even smaller and lesser than the sum of its noisy, junky, clichéd bits. So perfunctory that it saps even its excellent cast of all their charisma.
We’ll be talking about director Cary Fukunaga, Netflix, Night School, Jodie Whittaker as the first female Doctor, rapper M.I.A., and a lot more.
Instantly sweeps us up in its passion, its electricity, its music, and characters to fall in love with. Lady Gaga is a revelation. It’s impossible to believe Bradley Cooper has never directed before. I adore this movie.
sample sponsored post (sponsored) - Lorem ipsum dolor sit amet, consectetur adipiscing elit. Fusce quis risus odio.
