
CHiPs movie review: they promised chip would happen, and it did
Toilet humor, cars exploding for no reason, random naked boobies, and gay panic… although, weirdly, also lots of awkward, unerotic nearly naked Dax Shepard.

Toilet humor, cars exploding for no reason, random naked boobies, and gay panic… although, weirdly, also lots of awkward, unerotic nearly naked Dax Shepard.

Muddy and muddled 70s-style backwoods gothic Americana only comes to life when it rises to the accidentally silly. Little more than an incoherent showreel.

Not alt-history but a true story from a Nazi-occupied English-speaking place, a hugely relevant reminder that resistance to injustice is an absolute imperative.

The sparse, cold satisfaction that could be wrung from Trainspotting’s punk insolence has been replaced by an exhausted cynicism. Which is exactly right.

Tepid teen romance turned implausible thriller is just about saved by a powerful, and unusually disturbing, performance from Bill Paxton (one of his last).

Strange and melancholy, this genre-defying portrait of grief and loneliness puts Kristen Stewart’s onscreen persona of restive reluctance to very effective use.
Someone is very trusting…

Shattering and deep-down bone-chilling. A viciously unsettling nightmare of race and privilege that carves out a much-needed paradigm shift for genre film.
I love when old ads are uncovered on city walls.

Like a theme-park mounting of the 1991 cartoon, or the blandified pop version of an enchanting signature character tune. A watered-down pastiche of itself.