
Logan movie review: wounded Wolverine, dangerous beast
The X-Men series — the entire superhero genre — has never seen a film like Logan before: raw, rageful, tormented, human. Best of the series yet.

The X-Men series — the entire superhero genre — has never seen a film like Logan before: raw, rageful, tormented, human. Best of the series yet.

Unfocused like a 1970s cast-of-thousands disaster flick, and with little point beyond engaging in bland and easy propagandistic cheering. Boston deserves better.

Now updated with winners…
In Wood Green, at the site of a former Banksy…

Ominous signs and psychological detours get tossed out and tossed away on the path to ridiculous gothic nonsense that takes itself far too seriously.

My favorite of the nominees is “Sing,” a movie for right-now with its pushback against a bullying authority figure and its gently effective defiance.
Satisfies a monstrous appetite, perhaps?

My pick: “Pearl,” blending new VR tech with old-fashioned characters and emotions, demonstrating storytelling possibilities that are beginning to open up.

Plain pure fun. At its best, it’s Lord of the Rings meets Aliens, with incredible imaginative grandeur and genuinely breathtaking 3D depth.

My anger that women filmmakers doing a horror anthology is seen as a novelty almost overshadows my disappointment that these short films aren’t very scary.