Trekkies and Free Enterprise (review)

Turning a television show into a religion was an oddity, to say the least, when Star Trek fans first did so back in the 70s. Today, pop culture is just about the only touchstone Generation Xers have, so it’s perhaps not a coincidence that within the space of a year, two movies tried to sort out exactly what Star Trek means to the faithful. Trekkies and Free Enterprise couldn’t be two more different films, but each has a deep and abiding love of Star Trek at its core.

Scrooged (review)

In fact, Dickens might have written something like Scrooged, an 80s, greed-isn’t-good update of the Dickens classic. The wittiest satire of television since Network, Scrooged gives us Frank Cross (Bill Murray: cradle, rushmore), the ‘youngest president in the history of television,’ the maniacal — and megalomanaical — head of the IBC TV network.

The Muppet Christmas Carol (review)

I still mourn for Kermit — and for Jim Henson — though. The lamentable Bob Cratchit seems the ideal character for the creature who sang the melancholy and winsome “It’s Not Easy Being Green.” The Muppet Christmas Carol never achieves the delicate pathos it might have if Jim Henson had still been there for his froggy alter ego.

Blackadder’s Christmas Carol (review)

Okay, so it’s not a movie. But Blackadder’s Christmas Carol is my favorite variation on the beloved Charles Dickens story of one man’s dramatic change of heart. Remember, though, dear reader, to take into account that I am a heartless bitch — anyone with an ounce of sentiment will be thoroughly appalled by this entirely mean-spirited black comedy.

White Christmas (review)

White Christmas is billed as a remake of Holiday Inn, but the only thing these two films have in common is Bing Crosby singing the most beautiful secular Christmas carol, Irving Berlin’s ‘White Christmas’ (which was originally written for Holiday Inn). White Christmas isn’t as delightful as its supposed predecessor, but if for no other reason, it’s worth seeing for a gorgeously simple arrangement of the title tune, which Crosby croons accompanied only by a windup music box.

Holiday Inn movie review: two guys and a girl

God, I love those snarky 40s comedies in which there’s just a bit of meanness under the humor. Holiday Inn is, of course, filled with the kind of pretty Christmas songs and picture-postcard scenes of snow and horse-drawn sleighs that make for beloved holiday movies. But there’s also some darkness lurking here.

The Santa Clause and Jack Frost (review)

Little did I know when I reviewed Jingle All the Way that it is part of a trend in 90s holiday movies in which inattentive, workaholic Boomer dads go all out in attempts to win back the affections of their young, ignored sons. But while Jingle’s Arnold has to resort to a girly endeavor like shopping in the effort to appease his spawn, The Santa Clause’s Tim Allen and Jack Frost’s Michael Keaton have a much cooler alternative: magic. Allen deals in white magic; Keaton’s, unfortunately, is of the darker variety.

Animaniacs: Wakko’s Wish (review)

The Animaniacs are usually the stuff that inspires adult cult fandom and enthralls kids, even if they don’t understand it. Animaniacs: Wakko’s Wish may charm very young children with its simple tunes and fast-moving animation, but older kids and adult fans of the Warners et al will be sorely disappointed.

Stuart Little (review)

Needless to say, as a child I loved E.B. White’s book Stuart Little, about a mouse who lives with a human family, and so I was pretty eagerly looking forward to the movie adaptation. And while it’s not the kind of movie that I’m likely to return to again and again — it doesn’t have the kind of subtext that allows adults to appreciate it on multiple levels, as some movies aimed toward kids do — it certainly offers a sweet, amiable moviegoing experience, and parents who treat their children to it are unlikely to find themselves bored with it.