
Where Are the Women? The Hunting Ground
There are so many women onscreen, including the vast majority of the university administrators, lawyers, activists, and other experts interviewed.

There are so many women onscreen, including the vast majority of the university administrators, lawyers, activists, and other experts interviewed.

U.S. universities have plenty of financial incentives to minimize rape on campus, as this enraging film demonstrates. But there are women fighting back…

Exists on the spectrum between “fascinating and unclassifiably odd” and “could almost be a parody of an arthouse film except it’s too moving to be a joke.”

A portrait of grief that borrows the conventions of romantic comedies. There may not be a lot of passion here, but there is plenty of pleasant zing.

An opportunity for a female villain whose crimes are not gendered is squandered in favor of rendering her a punching bag for male protagonists.

Apart from motivating visions of the male protagonist’s dead wife and a kidnapped and raped woman for him to rescue, women are absent from this film.

Some of the characters in the all-male based-on-fact ensemble have been fictionalized, so there’s no reason why one of them couldn’t have been a woman.

The only female character with any significant presence instantly morphs into supportive help for men and a love interest for one of them.

Any story about a woman pursuing goals beyond love and motherhood is a positive turn. Minus a few points, however, for making fun of feminine tastes.

A wife character with a bit more to do than the usual female support for a male protagonist keeps this male-centered story from scoring worse than it does.