Howl (review)

James Franco’s elucidation of Allen Ginsberg is soaring in its warmth and sincerity. The words are (mostly) the writer’s, but the vitality and the passion are all Franco’s: he makes the poet breathe for us today in a way that feels entirely modern and relevant.

screencap Friday: what the flick? #144

Friday fun! Here’s a screen capture from a TV show on DVD. Guess the TV show — you don’t need to guess the episode, just the show. And if you assume it’s something I’ve said I’m watching or said I like, you’re not necessarily on the right track.

Life as We Know It (review)

First of all, any movie that kills off the smashing Christina Hendricks in the opening 20 minutes deserves to be shot down on the basis of that alone. But that’s only the tiniest of the many cinematic crimes of Life as We Know It, which pretends to be something hip and fresh and is in fact relentlessly conventional, even retrograde.