
Blackhat movie review: broken code
This mysteriously misbegotten flick should be a gritty 10-hour miniseries so it would have time to explore its ideas and potentially fascinating characters.

This mysteriously misbegotten flick should be a gritty 10-hour miniseries so it would have time to explore its ideas and potentially fascinating characters.

Charming in that gloriously detailed Aardman way, but with its simple slapstick humor, it’s strictly for the littlest tykes.

Sees no need to engage metaphor or dispense with cliché, so when you haven’t seen it before, you can’t believe what you’re seeing. And not in a good way.

I cannot recall a film that left me with such a sour taste in my mouth by its end. Does the movie deliberately defy itself with obnoxious intent?

Misogynistic, predictable, crammed with tonal shifts, and devoid of likable characters. Another young filmmaker has taken all the wrong cues from Hollywood.

This isn’t a children’s movie… and yet it kind of is, too, with its odd mishmash of social realism, action thrills, misplaced comedy, and simplistic drama.

Joyous and exhilarating. A fresh and funny animated adventure that subverts genre clichés at every turn.

This painfully unfunny spoof of teddibly British nonsense couldn’t be less amusing if it were actually calculated to be totally laugh-free.

Simultaneously the dullest and the most insulting version of itself it could possibly be. If only it had managed to be campy, that’d be something…

A banal, bland tribute to things no one questions as laudable (though it has to misrepresent its subject to do so). But Bradley Cooper is very good.