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The Silence of the Lambs is a psychological thriller of the highest order, and well deserving of the unusual Oscar nod for Best Picture, never before bestowed upon a film like this. Before or since, action/horror has never been done so well or so cerebrally.
The French Connection is Patient Zero in Hollywood’s epidemic of blood, guts, and mayhem, the Typhoid Mary that spread gunplay, car chases, and psychotic cops throughout filmdom. Like Typhoid Mary, though, The French Connection has only a mild, nonfatal case of the sickness that continues to rage through movies. This film demonstrates how smart action movies can be, and points out how dumbed down most of them have gotten.
T.E. Lawrence was what a friend of mine calls a “transethnic,” like the couple of Italian guys you always see playing bagpipes in the St. Patrick’s Day Parade. David Lean’s gorgeous film captures this enigmatic man beautifully.
Make no mistake — Ben-Hur is not great art. But it is great fun. Judah Ben-Hur (Charlton Heston), a contemporary of Jesus, is a Jewish prince in Roman-ruled Judea newly reunited with his boyhood friend Messala (Stephen Boyd). Messala, a Roman, has just returned from the empire’s capital to reign as tribune, a sort of lieutenant governor, of Judea. These old pals now find themselves separated by politics — one is the ruler, the other the ruled.
Instantly one of my favorite films, The Bridge on the River Kwai is a tense, terrifying, absolutely riveting film about the ironies of war and the deadly psychological games enemy soldiers play with each other.
Around the World in 80 Days is a huge, leisurely production, chock full of starry cameos and astounding scenery. There’s not really much of a plot, and the characters are little more than cardboard, but the whole point of this movie is to linger with Fogg and Passepartout as they drink in the beautiful countryside and exotic cities as they float languorously by. This is what Technicolor and 70mm prints were invented for.
It’s got baby gorillas, dogs riding horses, and Jimmy Stewart as a clown. Man, The Greatest Show on Earth is one fun flick.
It’s well over two hours long, it’s full of inappropriate accents, and it was filmed almost entirely on the ocean. No, it’s not the latest Kevin Costner epic — it’s Mutiny on the Bounty, a thrilling classic that remains surprisingly modern.
Wichita just ain’t far enough west for Yancey Cravat (Richard Dix). He longs for the untamed frontier. So when the 1889 Oklahoma land rush puts 2 million acres up for grabs, he packs up the wife, Sabra (Irene Dunne), and the kid, Cimarron (which means ‘wild,’ we’re told), and heads off to help build a new world, or, more specifically, the boomtown of Osage, Oklahoma.
From a contemporary point of view, All Quiet on the Western Front is more ironic than its makers could have intended. Its audience is now as toughened as Paul became, mostly because his War to End All Wars didn’t.
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