Puss in Boots (review)
I’m pretty sure that the reason Antonio Banderas was put on this planet was to make Puss in Boots speak…
I’m pretty sure that the reason Antonio Banderas was put on this planet was to make Puss in Boots speak…
Oh, glorious steampunk! Oh, glorious Victoriana! Oh, for a time when men were men (and not little boys) and industry meant hard work (and not corporate malfeasance) and optimism (and not despair) ruled the day. When the future was so bright, you hadda wear shades.
A charming little movie that is so amiably ridiculous that you’re sure it must have been invented, but it’s based on a real wacky thing…
Martin Scorsese made a 3D kids’ movie that’s about movies. That’s about the love of movies. And it’s steampunky and rollicking and features a cool girl character, too. How is it possible that I won’t love this movie?

Is there sweet? Absolutely. But it is cut with funny: sometimes wicked, sometimes manic, often hysterical, always clever funny. And a whole lotta poignant, too.
It’s like if Samwise Gamgee wrote fan fiction about Greek mythology, and then Vogue magazine’s most outré photographers did a huge photo spread based on that…
A soulless CGI-animated remake of Raiders of the Lost Ark. Without a Harrison Ford to smirk and snark his way through it, natch.
It is leaden where it should be light. It is graceless and charmless. It reels from the painful banter. It is the epitome of empty soulless corporate filmmaking.

An updated The Canterbury Tales for the 21st century, an on-the-road movie for our existentially confused times…
However crass Disney’s motivation may have been in rereleasing the film, it’s cheering to see that even in this era of awesome home-entertainment setups and increasingly unpleasant multiplexes, people still want to see great movies on a big screen with big sound…