
Ernest & Celestine review: bear and mouse are friends
Might be the most ridiculously cute movie I’ve ever seen, in a way that transforms adorableness into something honest and wise and deeply satisfying.

Might be the most ridiculously cute movie I’ve ever seen, in a way that transforms adorableness into something honest and wise and deeply satisfying.

Visually ravishing, as you’d expect from Hayao Miyazaki, but there is, disappointingly, no drama and no conflict here.

You’ve seen this all before — it’s Toy Story meets The Matrix — just not done in Legos.

The French “Mr. Hublot” creates an utterly real yet completely fantastical world, a palpable steampunk environment of gorgeous mechanical loveliness.

Sub-vaudeville 1950s sitcom humor and a horrifically dated message about boys as heroes and girls as the heroes’ property. You know, for kids!

The showstopping central musical number is a glorious anthem to female power and ability… and so, in fact, is the whole wonderful movie. Disney is finally getting it. (new DVD/VOD US/Can)

A hugely ambitious film reminiscent of The Matrix and the works of Terry Gilliam while also carving out its own apocalyptic sci-fi space.

“Good” for nothing but the electronic babysitting of toddlers and fomenting consumer desire in impressionable children for the new line of made-in-China Dusty Crophopper extruded plastic. (new DVD/VOD US/Can)

Joyously warm and gentle… though perhaps too gentle to be entirely satisfying.

I am haunted by the crazed desperation in Jayma Mays’s eyes. She may have been blinking out a Morse-code SOS, but I can’t be sure…