On the Road (review)

If you didn’t know that Jack Kerouac’s novel was a seminal influence on postwar America, you would never, ever guess it from this lifeless, soulless, pointless adaptation.

Now Is Good (review)

Why does Dakota Fanning get to really live onscreen here in a way that Teh Movies don’t usually allow girls to do? Because she’s dying.

Anna Karenina (review)

There is no pretense that we’re getting a realistic depiction of late-19th-century Russia. Director Joe Wright isn’t merely crafting a metaphor about the social structures under which we all live: he’s underscoring the artificiality of cinema itself.