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Oh, we already know how it ends! John Lennon starts a band and ends up bigger than God. Before that, though… whew. There’s a whole lotta psychosexual stuff packed into Nowhere Boy, the tale of Lennon’s adolescence in Liverpool, which may or may not be true, but it sure makes for a smashing film.
It starts out all sad music at momma’s funeral and we gots to sell the horse farm, but dang if nobody can keep Diane Lane down.
Once upon a time, a film this epic, this relevant, this emotional would have been celebrated as a great entertainment and important storytelling with something vital to say about the world today.
The Social Network isn’t overly concerned with the obvious irony: ha ha, an antisocial nerd invented the most popular social-networking Web site on the planet. As Fincher frames it, Zuckerberg’s loneliness is hardly ironic. It is, in fact, inherent in the mindset that got him to where he is…
It’s a familiar story — Nice Kid gets mixed up in Bad Things — but as first-time feature director Kevin Asch tells it, there’s extra potency to the contrast between the Nice and the Bad.
Ever since he was a kid, Jack Harris never wanted to be a pornographer…
There hasn’t been a movie like The Runaways, one about women rockers that’s just as raw and earthy and tough and pitiless as the ones about the men are.
Spoiler alert! Jason Bourne does not find the WMDs in Iraq. Sorry to ruin *Green Zone* for you, but surely reality already did that years ago.
This gentle movie is about science as a human endeavor, as noble and contradictory and sometimes as wrenching a thing as making great art or journeying to unknown lands.
I challenge anyone who sincerely believes that *The Blind Side* is a good film to take a look at this one and see how this kind of story is meant to be told.
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