Nowhere Boy (review)

Oh, we already know how it ends! John Lennon starts a band and ends up bigger than God. Before that, though… whew. There’s a whole lotta psychosexual stuff packed into Nowhere Boy, the tale of Lennon’s adolescence in Liverpool, which may or may not be true, but it sure makes for a smashing film.

Howl (review)

James Franco’s elucidation of Allen Ginsberg is soaring in its warmth and sincerity. The words are (mostly) the writer’s, but the vitality and the passion are all Franco’s: he makes the poet breathe for us today in a way that feels entirely modern and relevant.

The Runaways (review)

There hasn’t been a movie like The Runaways, one about women rockers that’s just as raw and earthy and tough and pitiless as the ones about the men are.

Coco Before Chanel (review)

Audrey Tautou looks *amazing,* surrounded by women who flounce around like fluffy Edwardian fruit cups. But moments like that — in which you really feel the impact of Chanel’s legacy — are, *tant pis,* all too rare…

Amelia (review)

This *Amelia* is a quiet, reflective film, and Earhart is not an icon or a symbol: she’s a human being, and the fantasy comes in how the film depicts her life and her achievements and everything about her not as something a *woman* did but something a *person* did.

Tyson (review)

James Toback’s talking-head documentary portrait of the man serves only to show us a reprehensible example of the worst of American manhood, and of American celebrity.

Che (review)

You’ve seen the T-shirt — now see the movie. That seems to be attitude of the decriers of Steven Soderbergh’s portrait of the Argentinean freedom fighter/terrorist: that the filmmaker does not demonize his subject to the degree the decriers insist is necessary.

Milk (review)

It opens with archival footage of police raids on gay bars, grainy black-and-white stuff that’s like a grim glimpse into a distant dreadful past, like the 1950s and 60s were another planet, and you think, Geez, people really worried *that much* about who was sleeping with whom?