
Oscar Nominated Animated Shorts (88th Academy Awards) review
The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

A protagonist who revels in the sheer cynicism of her job gets a sentimental redemption out of nowhere; Sandra Bullock’s comedic chops are undercut by it.

Snarky humor and a wonderfully put-upon Matthew Macfadyen are the best reasons to see a satire that ultimately seems to forget where it was heading.

This compact little satire — set in 1990s Balkans — is a small, personal story about huge unfairnesses and injustices. Bleakly, bitterly, blackly funny.

Inexcusably self-indulgent. Tarantino gratifies his enormous self-love and his amusement at his own genius at the expense of all else.

An infuriating yet entertaining look at the “other guys” of the 2008 financial crash. You will want to weep. While you’re laughing! *sob*

There’s no mythological weight behind this flick’s anti-Santa. This is more like a standard slasher horror, its baddie on a rampage of arbitrary carnage.

So entertaining, so unexpected, so wonderfully oddball, so damn good. Witty genre-busting simmering with pathos, humor, and calamity.

Ben Wheatley takes on J.G. Ballard, and it’s a frustrating experience: visually striking but far too literal while aiming for the allegorical.

The best of the bunch in this anthology of vaguely interconnected shorts are the outrageous and uproarious genre pastiches “Friday the 31st” and “Bad Seed.”