Get Out movie review: yes all white people
Shattering and deep-down bone-chilling. A viciously unsettling nightmare of race and privilege that carves out a much-needed paradigm shift for genre film.
black comedy
Catfight movie review: punches not pulled
Takes women’s hostility out of the realm of the passive-aggressive and gives it free comedic rein physically in a way that is hilarious, disturbing, and pointed.
The Last Laugh documentary review: punching Nazis (with comedy)
Analyzing jokes can ruin humor, but not here. This is a provocative, hilarious, and important discussion of comedy taboos, who gets to transgress them, and why.
XX movie review: women filmmakers bring a feminine bent to horror
My anger that women filmmakers doing a horror anthology is seen as a novelty almost overshadows my disappointment that these short films aren’t very scary.
Prevenge movie review: baby bump off
Fresh feminist horror of a very welcome taboo-smashing kind. Nasty, hilarious, outraged and outrageous, and as poignant as it is blackly funny.
Operation Avalanche movie review: to the moon?
This Apollo-era would-be suspense-thriller mockumentary is more an exercise in “look how film-school cool and clever we are” than anything else.
Chi-Raq movie review: sex as a weapon of peace
Furious, funny, and deadly serious, this is an audacious, searing satire that swells into a raw, electrifying fantasy about how we might put aside savagery.
Bad Santa 2 movie review: been there, done that, licked the candy cane lasciviously
Hard to believe it took 13 years to get a sequel to our screens and still have it show not a hint of Bad Santa’s inspiration or subversion.
Antibirth movie review: bad baby bad
Dementedly creepy punk body-horror grossout comedy plays like a padded-out short. But Natasha Lyonne and Chloë Sevigny have a ball as cheerful wastrels.
#LFF2016: Down Under, Indivisible, Wild
Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.
