
Spider-Man: Homecoming movie review: boys and their alien toys
Thoroughly charming. Spider-Man’s signature light comedy works surprisingly well even as this story is uniquely steeped in the darker Marvel Cinematic Universe.

Thoroughly charming. Spider-Man’s signature light comedy works surprisingly well even as this story is uniquely steeped in the darker Marvel Cinematic Universe.

This deeply satisfying military drama demonstrates that a simple, even familiar story can be powerfully effective when told with big heart and solid craft.

Everything about this joyful, sincere origin story feels like a retort — a very welcome and much needed one — to traditional male-centered superhero stories.

Its message of interfaith understanding is an undeniably necessary one; too bad it’s delivered with the obvious broad humor of a sitcom Very Special Episode.

Cinema as a punch in the gut and not for the squeamish, casting female desire as ravenously predatory in a way that few films have ever had the audacity to do.

A fairly familiar romantic dramedy distinguishes itself because its awkward, immature nerd is a young woman, poignantly portrayed by the wonderful Bel Powley.

Tepid teen romance turned implausible thriller is just about saved by a powerful, and unusually disturbing, performance from Bill Paxton (one of his last).

Simply a lovely film, with some of the most striking — and haunting — animation I’ve ever seen, and full of a remarkable and palpable warmth and humanity.

My pick: “Pearl,” blending new VR tech with old-fashioned characters and emotions, demonstrating storytelling possibilities that are beginning to open up.

Poignant and hilarious and wise, a melancholy ode to a moment when when the world was changing for women (and men)… and how it still and always is.