
We’re the Millers review: broken bad
Reason No. 34,075 to legalize drugs: it would eliminate painfully unfunny comedies like this one. Comedy shouldn’t make you pity the comedians.

Reason No. 34,075 to legalize drugs: it would eliminate painfully unfunny comedies like this one. Comedy shouldn’t make you pity the comedians.

Like a Comic-Con cosplay event gone horribly wrong, this poor excuse for an action comedy has nothing to say beyond a few expletives and nothing to offer but a shocking lack of appreciation for its own awful irony.

By turns hilarious, absurd, offensive, and insulting, this is all rote action that will pique your interest only when it is being completely ridiculous.

Meanspirited where it’s meant to be funny. Misogynist crap is still misogynist crap when it stars women.

Most of it makes no sense at all, but who cares? This is cheerful ridiculousness pulled off with panache.

Whatever your politics, you will find things to astonish and flabbergast and enrage you in this cool-headed examination of America’s War on Drugs.

Even when Walken, Pacino, and Arkin are phoning it in — on a rotary phone — they still earn their status as icons.

Some of it is hilariously awful, and some is just plain awful. But Statham’s attempt to be taken seriously as an actor is honest, at least.

Brit Marling never knows what to do with her great ideas. She runs them right up to a moment when all that electric potential zaps itself out of existence in a flash.

It’s like they realized they never should have made a sequel, so for Part III, they didn’t even bother to make a Hangover movie at all…