Children of the Stones (review)
This intensely creepy show is what made an entire generation of British kids the grown-up geeks they are today.
cult
Doctor Who: The Complete Fourth Series (review)
I spent hours this afternoon going through the new *Doctor Who Series 4* DVD set, and I barely even scratched the surface. And still: I think I might have to go lie down for a while. I’ve gotten a bit overexcited, a bit overwhelmed. There’s so much stuff in it, so much beyond just the episodes, that my fangirl gland is overheating.
Idiocracy movie review: stupid is as stupid does
‘Idiocracy’ is even more trenchant, more damning, more — hell, I’ll say it — ‘revolutionary’ than ‘Office Space.’
I’m Alan Partridge: Series 1 (review)
Highly recommended… if you can take humor that is, paradoxically, relentlessly sad.
Serenity (review)
Damn you, Joss Whedon, you *hwoon dahn*! Damn you and your honesty and integrity and unwillingness to succumb to Hollywood bullshit and–
Evil Dead II, Army of Darkness, Young Frankenstein, Little Shop of Horrors, and Beetlejuice (review)
Why do slasher movies make us laugh in the instant after we jump and scream? When comedy works, it’s for the same reason that horror does: It surprises us, and laughter and screams emanate from that same primitive lizard part of our brains, one that reacts before we can think.
Bubba Ho-Tep movie review: groovy
Bruce Campbell makes me laugh just looking at him. Just thinking about him. But I never thought he’d almost make me cry. And I certainly never thought he’d almost make me cry in a movie called Bubba Ho-Tep.
Halloween (1978) (review)
Please don’t write into tell me how sophisticated Halloween actually is, because that’s a symptom of my third point, which is that I suspect the Halloween movies are like the Star Wars movies, in that the most fun thing about them isn’t what’s actually onscreen but the fannish discussions that happen offscreen about the interrelations between characters and the interconnections between events that loop through the entire series of films.
Donnie Darko movie review: choose your own psychotic breakdown
Donnie Darko in, in fact, what Ferris Bueller’s Day Off might have been if David Lynch had ever gotten his hands on it, a daring, disturbing, visionary debut from 26-year-old writer/director Richard Kelly.
Monty Python and the Holy Grail (review)
And they don’t come much geekier or more touchstony than 1975’s Monty Python and the Holy Grail, not only damn near one of the funniest movies ever made but certainly one of the most quotable… at least for us endlessly self-referential types for whom all of life is but a never ceasing trail of opportunities to show off the ridiculous capability we have for retaining movie, computer, and science fiction trivia.
