Copilot movie review: how love warps women’s lives
Tragic anti-romance uses cinematic conventions and the presumptions of fiction to disorient us. Bursts the bubble of a certain kind of movie delusion to highlight a harsh reality of women’s lives.
directed by women
Cinderella (2021) movie review: from the ashes…
Fairy tale goes jukebox musical with a feminist, gender-fluid spin. Throws irony and sarcasm at heterosexuality, patriarchy, even monarchy. Pretty darn fun, with a sweetly spunky Ella in Cabello.
Candyman movie review: say his name… and understand its power
Strikingly original horror with a purpose: to delve into the mythologizing of the past, to explore the boundary between cultural appropriation and artistic inspiration, to heed the lessons of history.
Reminiscence movie review: remembering it for you retail
A cautionary tale about getting mired in the past is itself hamstrung by what has come before: overplayed noir tropes and underbaked sci-fi ideas. The fab cast at least elevates this to the mediocre.
The Body Fights Back documentary review: food for thought
Honest, compassionate, and very necessary, this is a provocation, a challenge to our individual and cultural preconceived notions about and neurotic relationships to food, weight, and body image.
Black Widow movie review: spy cruft
Dishearteningly less concerned with giving Natasha Romanoff her own story than with setting up her MCU replacement. Superfluous, backward-looking, its bit of feminism belabored. She deserved better.
Zola movie review: speed bumps in the road trip
A deliciously badass style — part 70s grindhouse, part verité pseudo-documentary — and all-in performances are undermined by an exploitive gaze, and a combination of failed caper and failed satire.
Charlatan movie review: more vegetative than herbal
An intriguing story with engaging performances about a compelling real-life character, but oddly inert, and can’t quite make all its many aspects gel into a wholly satisfying or wholly coherent story.
Les nôtres movie review: sacrificing girls for the greater good
Quietly chilling. A condemnation of supposed propriety over genuine decency, and the sacrifice of children to the illusion of communal cohesion. There are no easy answers here, and no pat resolutions.
Rise Again: Tulsa and the Red Summer and A Crime on the Bayou documentaries review: Black history matters
Two new documentaries — one a shrewdly incisive work of journalism, the other a delicately elegant tale of injustice and friendship — tell all-but-forgotten histories of Black America. Of America.
