The Golden Age of Television (review)
As pure drama, these are still fascinating to watch, especially to see the early work of some now very famous names. But as a look at what TV was doing half a century ago, it’s riveting.
drama
The Twilight Saga: New Moon (review)
Bella Cullen. Mrs. Edward Cullen. Mr. and Mrs. Edward Cullen. Ms. Bella Cullen. Mrs. Jacob Black. Jacob and Bella Black. Mrs. Bella Black. Ms. Bella Swan Black. Mrs. Bella Swan Cullen.
‘Doctor Who’ blogging: ‘The Sarah Jane Adventures’: “The Wedding of Sarah Jane Smith”
This is what I think: I think David Tennant is sorry he stepped down as the Doctor.
Precious: Based on the Novel Push by Sapphire (review)
I’m not sure how a story like the one that unfolds in *Precious* can be anything other than the harrowing, painful, heartbreaking, explicit work that it is.
Five Minutes of Heaven (review)
After a disastrous foray into Hollywood, German director Oliver Hirschbiegel returns to the realms of uneasy morality he explored in his portrait of Bunker Hitler in *Downfall*…
2012 (review)
It’s kind of awesome, the film’s self-involvement. This isn’t really a movie: it’s more director/FX-mad wannabe supervillain Roland Emmerich calling out every other disaster film that has ever come before… including his own. Aliens blowing up the Empire State Builder? What piker came up with that?
The Fourth Kind (review)
There is no ‘archival footage’ of these sessions upon which *The Fourth Kind* was based. None of the ‘archival footage’ we see here, as terrifyingly plausible as it is, is real. Seriously. I promise you.
Coco Before Chanel (review)
Audrey Tautou looks *amazing,* surrounded by women who flounce around like fluffy Edwardian fruit cups. But moments like that — in which you really feel the impact of Chanel’s legacy — are, *tant pis,* all too rare…
‘Torchwood’ blogging: “Children of Earth: Day Five”
Tons of spoilers! Don’t read unless you’ve seen ALL five episodes of *Children of Earth*!
Amelia (review)
This *Amelia* is a quiet, reflective film, and Earhart is not an icon or a symbol: she’s a human being, and the fantasy comes in how the film depicts her life and her achievements and everything about her not as something a *woman* did but something a *person* did.
