Bandit Queen movie review

The true story of a modern-day female Robin Hood of India. A powerful and in spots devastating journey through one woman’s conquest of a culture that views women as little more than sexual commodities.

Unbreakable (review)

I don’t think it’s venturing too far into hyperbole to call this, the followup to The Sixth Sense from writer/director M. Night Shyamalan, a work of transcendent filmic genius, one that acknowledges the audience’s expectations, confounds them, rebuilds them, and ends up using them to brilliant, astonishing advantage.

Misery (review)

Annie Wilkes is King’s best psycho and one of the most banally malevolent visions of evil ever depicted onscreen — as played by the extraordinary Kathy Bates, she is a terror of frighteningly everyday proportions. A lonely, abandoned woman living in the Colorado mountains, her greatest solace comes from the romance novels of author Paul Sheldon (James Caan), all of which feature an heroine with the unlikely name of Misery.

Longitude (review)

Here’s a three-hour (four, with commercials) movie about clocks: clocks being built, clocks being taken apart, clocks being talked about, clocks being restored. It should be as boring as watching paint dry, but instead it’s a thrilling intellectual adventure about the genius and obsession that drives both scientific discovery and scholarship.