
The Rhythm Section movie review: out of tune
Poor Blake Lively does her de-glammed best in this poor Xerox of much better Turn The Urchin Into A Spy thrillers. But there isn’t a single human interaction in this hamfisted movie that rings true.

Poor Blake Lively does her de-glammed best in this poor Xerox of much better Turn The Urchin Into A Spy thrillers. But there isn’t a single human interaction in this hamfisted movie that rings true.

Strips away the ambiguity of the source story to leave us with lazy jump scares, visual gloom, and a cheap cheat of an ending. Gaslights its protagonist and, incredibly enragingly, the viewer, too.

This Michael Bay–esque love letter to China Rescue & Salvage may be propaganda, but its enjoyably bonkers melodrama and grippingly engaging action are a lot less obnoxious than any film Bay has made.

An untold Holocaust story, of Philippine president Manuel Quezon’s fight to take in Jewish refugees, feels like it remains untold: this sluggish, overlong film cannot overcome its low-budget roots.

This true origin story of a literal social-justice warrior is earnest, passionate… and exhausting. We need to keep telling these stories, yet each is but another tiny drop of water in a rough ocean.

A very welcome feminist interpretation of Alcott’s beloved novel, layered in sly, winking awareness of Hollywood clichés and the cultural pressures on women. Alive and electric, an absolute treasure.

Cluelessly simplistic rendering of a 1990s media injustice ignores all the context in which it happened and demonizes the one journalist who acted professionally. Fails even as a conservative screed.

A Cancer Movie but not a horror story. Funny, moving, hopeful; an intimate portrait of a couple who know how to support each other and why that matters. Oh, and it’s also a love letter to the NHS.

Chinese film is coming for Western audiences, but this ludicrous thriller, full of coincidence and contrivance, ain’t it. Still, nice to see a global story that doesn’t center the US or Europe.

This wonder of a film wrecked me. In the best possible way. It directly confronts cynicism and misanthropy, and asks us to let them go if we can. I really needed its message. The whole world does now.